Archives for posts with tag: Zara McFarlane

2014 in Review: New, New to Me, and Those We Lost

A year ago, I was rife with anticipation for the music 2014 would bring. A new Incognito album was due and several new artists were on the verge of debuting new albums. In retrospect, 2014 delivered on its promise but not for all the reasons I thought.

image058-250x250 Citrus-sun-albumIncognito did release Amplified Soul (Shanachie) in May. It was the strong and consistent album I knew it would be. The first (pleasant) surprise of the year came before that in March with the release of People of Tomorrow (Dome Records) by Citrus Sun, an instrumental project led by Incognito leader Jean-Paul Bluey Maunick.

Screen Shot 2014-06-02 at 11.05.25 PM dim_division_3More new music kept coming from sources that were not typically in my musical wheelhouse. Of these, I’d say Mark de Clive Lowe’s Church (Ropeadope, 2014) was the sweetest find. Miguel Migs’ Dim Division (Soul Heaven Records, 2014) comes a close second.

On the downside, two highly anticipated albums were lacklustre in my regard. Zara McFarlane’s If You Knew Her (Brownswood, 2014) and Jose James’ While You Were Sleeping (Blue Note, 2014) had moments of strength but I wasn’t able to connect with the albums on the whole, unlike previous releases from these artists.

Finally, 2014 had its disappointments, mostly because of what it didn’t bring:

  • I’m still eagerly awaiting KING’s full length album. A single release was all they could muster this year but their website indicates the album, We Are KING Music is set to drop (no telling when).
  • Ady Suleiman was a singular talent brought to light by Gilles Peterson in 2012/13. Although he continues to record and share tracks via social media, it’s not clear if an album is in the works. His SoundCloud page is definitely worth a listen.
  • The buzz on Q-Tip’s new project, The Last Zulu, rose and then faded. It’s not clear how real this album is or when it will finally drop.

Favourite Albums:

  1. Mark de Clive Lowe, Church
  2. Lion Babe, Lion Babe EP
  3. Incognito, Amplified Soul
  4. Miguel Migs, Dim Division
  5. Citrus Sun, People of Tomorrow
  6. Sonzeira, Brasil Bam Bam Bam
  7. Lone, Reality Testing
  8. Michael Jackson, XScape
  9. D’Angelo and the Vanguard, Black Messiah
  10. Bobby Hutcherson, Enjoy the View

Tracks

  • Blum “You’ll always be in my heart (Omega Edit)” – Heard on Jason Palma’s excellent radio program, Higher Ground (ciut.fm, Thursdays 8pm ET). Amazing re-work of a Sarah Vaughan track.
  • Lion Babe, “Jump High feat. Childish Gambino”- One of four outstanding tracks on the self-titled EP released in December.
  • KING, “Mr. Chamaeleon” – A single track from this talented trio is better than no new music but fans continue to pine for a full album.

New to Me: Rediscovered

Untitled-3.inddMarvin Gaye & the Mizell Brothers 

Two tracks from recording sessions that until recently were hidden away in Motown’s vaults are perhaps the best recorded music to be released in the last decade. Combining Mizell production with Gaye’s easy-going vocals is nothing short of alchemy. It’s too bad this partnership wasn’t allowed to flourish under the Motown Records leadership of the day. “Woman of the World” and “Where Are We Going” are must-haves for soul and jazz afficianados.

stevie-wonder-songs-in-the-key-of-live-2014-tour-600x400Songs in the Key of Life

This classic Stevie Wonder album had gone unnoticed by me until this year. Smash hits aside, the album is a strong end-to-end opus and was perfectly featured in Wonder’s recent live tour. I was fortunate enough to catch him in Toronto in November. This album is now firmly on my desert island list.

Notable Passings

  • Idris Muhammad – A drummer with remarkable range, from work with Ahmad Jamal, Pharoah Sanders, and even Ernie Ranglin
  • Charlie Haden – Contrabassist with jazz credentials ranging from John Coltrane to Keith Jarrett and Ornette Coleman
  • Bobby Womack – One of the most recognizable voices in soul music. He had been enjoying a resurgence of sorts recently with the release of The Bravest Man in the Universe (XL Recordings, 2012)
  • Ronny Jordan – A particularly poignant loss for me because Jordan was one of the first artists I discovered who bridged jazz, funk, and hip-hop. This musical space has dominated my listening for the better part of two decades and Jordan’s guitar jazz hold’s a special place for this reason.
ronny-jordan

Ronny Jordan (1962-2014)

 

2013 in Review: New, New to Me, and Those We Lost

There were many solid new releases this past year and many had two things in common. First, they were introduced to me via Gilles Peterson’s (@gillespeterson) BBC6 program, Worldwide, a staple in my listening. Second, three of my top 5 were released on Blue Note Records.

New Releases:

Looking back just 12 months, there were so many good albums released that I had enough fodder for a top 10, with Omar’s The Man winning the year.

10. Kon, On My Way
9. Brand New Heavies, Forward
8. Mario Biondi, Sun
7. Alice Russell, To Dust
6. Ed Motta, AOR
5. Jean-Paul ‘Bluey’ Maunick, Leap of Faith
4. Jose James, No Beginning No End
3. Robert Glasper Experiment, Black Radio 2
2. Gregory Porter, Liquid Spirit
1. Omar, The Man

Other notable releases were Quadron’s Avalanche, Da Lata’s Fabiola, Daft Punk’s Random Access Memories, RC & the Gritz’ Pay Your Tab, and Wild Belle’s Isles.

New to me: Rediscovered

Chakha Khan & Rufus – Before Chakha Khan’s 80’s resurgence, her career was launched with the 70’s funk and soul band, Rufus. Their album, Street Player (UMG Recordings, 1978) is a particularly good showcase of the bands smoothness and how well suited Khan’s vocal style is to their music. The track, “Destiny,” is essential listening.

Harvey Mason – I posted a Harvey Mason playlist after discovering this drummer who made his mark on numerous jazz and fusion classics.

Skee-Lo – An oddball find from 1995 when hip-hop albums were so prolific that it was hard to cut through the clutter to find those that would last. Skee-Lo’s album, I Wish (Ultra Moda Music, 1995) holds up today with its pleasing blend of melody and rhyme. It’s also a hip-hop album that’s not afraid to have some fun.

Ben l’Oncle Soul – Neo soul has been played out in my books for some time now. But Ben L’Oncle Soul’s self-titled release (Mercury Music Group, 2010) had a fresh take because a) it’s mostly sung in French; and b) the artist makes the music his own, not trying to mimic crooners from the 60’s and 70’s but celebrating his voice and music in his own way.

Notable Passings

  • Donald Byrd – One of my musical heros. An innovator and prolific melodist. Tributes to him abound on the internet as the year closes out. Nice to see him getting such wide recognition.
  • Stompin’ Tom Connors – A Canadian folk music treasure whose lyrics and music are essential Canadiana
  • George Duke – A keyboardist and innovator in the vein of Donald Byrd and Herbie Hancock
  • Lou Reed – Another innovator and catalyst who influenced rock and punk acts through the 70s and 80s

Most Anticipated in 2014

Q-Tip, The Last Zulu – This project has been on the radar for some time now but it’s hard to nail down a release date amongst the hype out there. The album is said to include, in some form, a reunion of original A Tribe Called Quest members.

Zara McFarlane, If You Knew Her – The follow-up from her excellent 2011 debut Until Tomorrow (Brownswood)

Jose James – His second release on the Blue Note label is in production, according to James’ facebook updates.

Prince, Plectrum Electrum – The recently released (and excellent) single, “Breakfast Can Wait,” will be on the album as will tracks featuring the rock-centered 3rd Eye Girl who are touring with Prince.

Happy, peaceful, and musical New Year!

Album Review:Until Tomorrow, Zara McFarlane, 2011

A refreshing revival of smart, stripped-down jazz that evokes smoke-filled rooms and the din of patrons passively clinking their tableware. The arrangements and production on this album make you wonder if it was really recorded in 2011. It could have come from a vault of 1944 recordings where you might find Sarah Vaughan’s early work. Vocalist Zara McFarlane reminds me of Vaughan, not in the timber of her voice but in her vocal styling. What’s more, this album has some bebop influence, completing the time travel theme. Listen to “Feed the Spirit” and you’ll half expect Coltrane himself to come in with a solo.