Archives for posts with tag: Yussef Kamaal

Album Review: The Return, Kamaal Williams (Black Focus, 2018)

Kamaal Williams (a.k.a. Henry Wu) and half of Yussef Kamaal just dropped a killer jazz album withThe Return.

I’ve been listening to this record repeatedly for 2 weeks Now that it has soaked in, I can honestly say it is one of the most pure jazz albums in recent years. Williams’ keyboard, Joshua McKenzie’s drums, and Pete Martin’s bass produce an immersive soundscape, evoking mood and movement.

The album’s purity is oddly tied to how casual it appears to be. The tracks are easy-going, simply constructed, but at the same time, positively gripping.

There are strong influences of Herbie Hancock and other 70’s synth funk pioneers but Williams also injects a dose of contemporary electronic, ambient, and broken beat.

The Return is a complement to the Yussef Kamaal Black Focus (Brownswood, 2016) project Williams did with drummer Yussef Dayes. Although the two records have a similar style, The Return is more sparse in its arrangements, with nary a guitar or horn. In that sense too, it is pure: a beguiling crucible of keys, drums, and bass.

Related:

Yussef Kamaal’s brilliant performance in the Brownswood Basement, Dec 29, 2016

 

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Album Review: Murmuration, The Expansions (Albert’s Favourites Ltd, March 2018)

The Expansions are James O’Keefe (Guitar), Dave Koor (Keys and Synths), Jonny Drop (Drums), and Matt Summerfield (Bass). Their recent 6-track album, Murmuration, features jazz and synth funk in the tradition of Herbie Hancock, Azymuth, Weather Report, and other 70’s influencers.

The Expansions are not particularly unique in an already crowded field of jazz/funk outfits. Badbadnotgood, Vels Trio, and Yussef Kamaal, to name a few, are putting out progressive jazz in tight ensembles with a contemporary sound. The Expansions are doing the same but what compels me to write about them is the consistency of this album. It is wall-to-wall jazz/funk, original enough to be fresh but authentic too in its homage to the form. I’ve heard other attempts at rekindling a Herbie Hancock Headhunters vibe but they sometimes fall flat, resorting to mimicry rather than offering something new.

I think another appeal of this album is the variety of tempo and arrangements. “Cannonball” evokes a Bob James and Azymuth vibe. “Dragonfly” features a lengthy distorted guitar solo. “Pocket Vibe” is more trancy and synth centric.

In a way, Murmuration is remarkable for how conventionally good it is. That’s one of the great things about jazz music. When it is done well, it stands up without having to stand out.

Related:

Live Rehearsal of “Ivory Mountain,” a nice showcase of the band’s musicianship

The Expansions’ Bandcamp Page

My 2012 post on Azymuth and Badbadnotgood

2016 Year in Review

This year was tiring. Civil society began unravelling in America and Europe. War and mass forced migration broke our hearts. The relentless tedium of the US election cycle consumed and played back thousands of hours of nauseating clickbait. In the world of music, we lost, among others, Prince, Bowie, and Maurice White…living legends no more. Thankfully, music gave a little back – precious respite in a woeful year.

Favourite Albums

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Album of the year for me was We are King, from a trio I have gushed about for the past 5 years. A close runner up is the fantastic instrumental soul debut by The Olympians from Daptone Records.

 

  1. King, We Are King
  2. The Olympians, The Olympians
  3. Kaytranada, 99.9%
  4. Lion Babe, Begin
  5. Terrace Martin, Velvet Portraits
  6. A Tribe Called Quest, We got it from here…Thank you 4 your service
  7. Incognito, In Search of Better Days
  8. Yussef Kamaal, Black Focus

Favourite Tracks

  1. “Dang!” Mac Miller feat. Anderson .Paak
  2. “In your eyes” Badbadnotgood feat. Charlotte Day Wilson
  3. “Little Dreamer” Lion Babe
  4. “I Want it to Be” Omar
  5. “Honey” Katy B & Kaytranada
  6. “The Space Program” A Tribe Called Quest
  7. “Precious Love” Lee Fields & The Expressions
  8. “Rain” Common feat. John Legend
  9. “Lifeguard Tower #22” The Gaslamp Killer feat. Miguel-Atwood Ferguson
  10. “Revolution Radio” Green Day
  11. “Better Days” Incognito feat. Vula Malinga
  12. “24K Magic” Bruno Mars
  13. “Think twice” Takuya Kuroda feat. Antibalas
  14. “Snowman” R. Kelly

New to Me (Rediscovered)

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Ramsey Lewis Quartet, Koerner Hall, Toronto, June 30, 2016

In my annual quest to discover musical greatness that was previously unknown to me, the passing of Maurice White prompted much listening to his body of work, including this wonderfully definitive podcast tribute by veteren U.K. DJ Patrick Forge. Thus, I was introduced to Ramsey Lewis, the talented jazz pianist who hired White as his drummer in 1966.

As luck would have it, Mr. Lewis graced the Toronto Jazz Festival this year and I was able to catch a masterclass performance.

 

Passings

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Maurice White (1941-2016)

We lost some living legends this past year. David Bowie and Prince need no further explanation. For me, losing Maurice White, founding member and master-arranger of Earth, Wind, and Fire was particularly sad. Other notable passings were hit-maker Rod Temperton who penned some of the greatest pop records in our musical consciousness, jazz vibraphonist Bobby Hutcherson, and Daptone Records soul diva, Sharon Jones.