Archives for posts with tag: The Stylistics

Playlist: Lovely Loops

Some songs have a repeating groove, rhythm, or melody that are so good, you could listen to them on endless repeat. I don’t mean a catchy song with a great hook – that eventually gets stale. Nor do I mean a particularly recognizable or highly sampled bassline – that in itself isn’t enough. What I mean is a vibe that takes a hold and lulls us into a pleasant trance. The closest musical term I know is “ostinato,” derived from the Italian for stubborn.

An ostinato pattern

I’ve compiled a playlist of my favourite ostinati. It is by no means comprehensive or definitive but these songs, in particular for me, have a quality that can be indulged with abandon.

  1. Summer Madness” – Kool & The Gang
  2. Blow Your Mind” – Jamiroquai
  3. People Make the World Go Round” – The Stylistics
  4. Sun Goddess” – Earth, Wind & Fire feat. Ramsey Lewis
  5. Oh Honey” – Delegation
  6. Funny How Time Flies” – Terrace Martin
  7. Chameleon” – Herbie Hancock
  8. Sweet Thing Reprise” – Build and Ark
  9. Back in the Day (Puff)” – Erykah Badu
  10. There’s Nothing Like This” – Omar
  11. Send it On” – D’Angelo
  12. Long Hot Summer” – The Style Council
  13. Please Forgive my Heart” – Bobby Womack
  14. Never Be Another You” – Lee Fields & The Expressions
  15. Tonight” – Kleeer
  16. Love Has no Time or Place” – MFSB
  17. Africa” – D’Angelo
  18. Sai” – Kanda Bongo Man

Playlist: The Philadelphia Sound

Philadelphia Soul is not so much a genre as it is a sound. The “Philly Sound” is described pretty well by its Wikipedia entry, Producers Kenneth Gamble and Leon Huff (pictured) are the pioneers behind much of the music with this moniker but it is not restricted to Gamble & Huff or the Philadelphia International Records label.

Since I wanted to learn more about the sound, its history, and the producers and musicians who made it come to life, I thought a playlist was just what I needed to traverse its soundscape.

  1. Mister Magic – Grover Washington Jr., Mister Magic, (UMG Recordings, 1974)
  2. K-Jee MFSB, Universal Love (Philadelphia International Records, 1975)
  3. I Love Music – The O’JaysFamily Reunion (Philadelphia International Records, 1975)
  4. People Make the World Go Round – The StylisticsThe Stylistics (Avco, 1971)
  5. Lady Love – Lou RawlsWhen You Hear Lou, You’ve Heard it All (Philadelphia International Records, 1977)
  6. One on One – Hall & OatesH2O (RCA, 1982)
  7. Me and Mrs. JonesBilly Paul, 360 Degrees of Billy Paul (Philadelphia International Records, 1972)
  8. Work it Out  (single) – Breakwater,(Arista, 1979)
  9. Minute by Minute – The Doobie BrothersMinute by Minute (Warner Bros., 1978)
  10. Nights Over Egypt  (single) – The Jones Girls, (Philadelphia International Records, 1981)
  11. Funkfoot – Grover Washington Jr.Live at the Bijou (Kudu Records, 1977)

I’ve bookended the playlist with Grover Washington Jr. The closing selection is from his brilliant live album, Live at the Bijou. You can read my review of that here. Although his breakthrough was 1980’s Winelight (Elektra Entertainment), Grover Washington Jr.’s rise arguably began 13 years earlier when he landed in Philadelphia as a sideman. I wonder if the warm bass and keyboard textures on Mister Magic were the product of or inspiration to recordings in the Gamble & Huff songbook?

MFSB and the O’Jays are two acts that were firmly in the Philadelphia International Records stable. MFSB (or Mother, Father, Brother, Sister) featured prominent string arrangements and squelchy guitars that would win them a place on the now classic Saturday Night Fever soundtrack (RSO, 1977), released two years after K-Jee was recorded.

The Stylistics showcase a falsetto vocal, prominent in many classic Philly Soul recordings. This tune was used beautifully in the opening montage of Spike Lee’s film, Crooklyn. Vocals are also featured on the next three tracks, beginning with the relaxed smoothness of Lou Rawls. Philadelphia natives Daryl Hall and John Oates, were undoubtedly influenced by their surroundings and carried the torch admirably well into the late Eighties. The next track, Me  & Mrs. Jones, was covered by Hall & Oates but I’ve selected Billy Paul’s original here, written by Gamble & Huff themselves.

The next two tracks by Breakwater and The Doobie Brothers are not officially associated with the Philly scene. But this is proof the “sound” escaped the confines of Gamble & Huff’s realm and influenced so many artists past and present. Minute by Minute was an uncharacteristic album for a “country rock” band like the Doobies but it was their greatest success. I posted a short review of that album here.

The Jones Girls were another staple with Philadelphia International Records. Nights Over Egypt was not their biggest hit but has weathered the years better than most other songs in their catalogue. Nights was written by Dexter Wansel, a close collaborator with Gamble & Huff.