Archives for posts with tag: The Cookers Quintet

2015 Year in Review: New and New to Me

For me, the year in music was characterized by breakouts and comebacks. Hard-at-work artists toiling in obscurity finally broke into the main. Legendary artists returned with quality works reminding us of why they are great.

In the breakout category, Kamasi Washington tops the list and gets my vote for album of the year, by far. In addition, three artists who I learned about through Gilles Peterson finally released new material, earning much-deserved notoriety: Lion Babe, Hiatus Kaiyote, and Ady Suleiman.

In the legend category, we had D’Angelo (his album dropped Dec 2014 but lets not split hairs), Jill Scott, Madonna, and Prince.

Favourite Albums

  1. Kamasi Washington, The Epic (Brainfeeder)
  2. Ady Suleiman, This is my EP (Sony)
  3. Lion Babe, Lion Babe EP (Outsiders/Polydor)
  4. D’Angelo and the Vanguard, Black Messiah (RCA/Sony)
  5. The Cookers Quintet, Vol. 2 (Do Right Music)
  6. Prince, HitnRun Phase Two (NPG Records)
  7. Haitus Kayote, Choose Your Weapon (Sony)
  8. The Rebirth, Being Thru the Eyes of a Child (Walk Talkin)
  9. Oddisee, The Good Fight (Mello Music Group)
  10. Jill Scott, Woman (Atlantic/WEA)
  11. Bluey, Life Between the Notes (Shanachie)
  12. Pete Josef, Colours EP (Sonar Kollectiv)
  13. Fourplay, Silver (Concord Music)
  14. Jamie Woon, Making Time (Polydor)
  15. Madonna, Rebel Heart (Live Nation/Interscope)

Favourite Tracks

  1. “Get Down,” Muz’art (Dream Team SA)
  2. “Elevator (Going Up),” Louie Vega feat. Monique Bingham (Vega Records)
  3. “Backyard Party,” R. Kelly, The Buffet (RCA / Sony)
  4. “Cel U Lar Device,” Erykah Badu, But you Caint Use my Phone (Motown / UMG)
  5. “Can’t Forget You,” RAC feat. Chelsea Lankes (Battestation Records)
  6. “Psychic,” XL Middleton, Tap Water (Mo Funk Records/Crown City Ent.)
  7. “Live your Life,” Pete Josef, Colour (Sonar Kollectiv)
  8. “Am I Wrong,” Anderson .Paak feat. ScHoolboy Q (Art Club / Empire)
  9. “Them Changes,” Thundercat, The Beyond / Where the Giants Roam (Brainfeeder)

New to Me (Rediscovered)

Every year, I’m keen to discover an artist or musical sub genre that made a mark on music but was unknown to me. This year, I made three musical finds of note.

Lonnie Liston Smith, a great soul, jazz, and funk keyboardist, has been making music for decades and likely inspired many of the musicians I follow today. His body of work is as broad as it is deep. For a George Duke and Roy Ayers fine such as myself, being oblivious to Lonnie Liston Smith is embarrassing. For the similarly wretched and uninitiated, I would recommend Explorations – The Columbia Years (Sony, 2002) as a nice primer.

For years, I’ve known of Vince Guaraldi Trio and their iconic music for the Charlie Brown TV specials. What I hadn’t heard in full until this Christmas was A Charlie Brown Christmas – Expanded Edition (Concord Music Group, 2012). It is a remarkable album, not only for the Holiday season but for any occasion when you need a dose of downtempo cool jazz. The instrumental version of “Christmas Time is Here” is one of the most sublimely perfect recordings of a piano, drum kit, and double bass.

Last but not least, seeing Incognito live and meeting Jean-Paul ‘Bluey’ Maunick was the musical highlight of my year.

Anticipating in 2016…

For the past five years, I’ve lamented the ever-postponed debut album from KING. Happily, it has a release date early in 2016 and I’ve already pre-ordered a download.

Omar (a.k.a. Omar Lye-Fook) released a single last year, suggesting a full length album is in the works. If it is anywhere near as good as The Man (Shanachie, 2013) – my pick for best album of 2013 – it will be worth the wait.

We may also see a sophomore album from soul/jazz breakthrough artist, Jarrod Lawson, who incidentally has hinted a collaboration with the aforementioned Omar is something he would like to do.

Happy, peaceful, and musical 2016!

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Album Review: Vol. 2, The Cookers Quintet (Do Right Music, 2015)

tcq2 The Cookers Quintet are making original jazz music today that not only evokes masters like Hank Mobley and Art Blakey but also makes a real and contemporary contribution to the hard bop sub genre of jazz.

I’ve welcomed in several prior posts the evolution of jazz that is going on at Blue Note records with acts like Jose James, Robert Glasper, and Kandace Springs. What they all have in common is how they push at Jazz’ boundaries and blend with other genres like R&B and hip-hop. The Cookers, on the other hand, don’t seek to evolve jazz but rather refresh some corners of it.

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The Cookers Quintet, TD Toronto Jazz Festival

I took in a free set at the Toronto Downtown Jazz Festival a couple of weeks ago and the band made hay out of an afternoon gig in a suburban shopping plaza. Despite the uninspiring surroundings, the faux piazza came alive and children, yes, children, were bopping and bouncing to original compositions like “The Crumpler,” “The New Deal,” and even a cover of the standard, “Moanin’.”

There are many straight-ahead jazz musicians doing what the Cookers Quintet are doing: playing standards and original compositions using jazz stylings of the 50s and 60s. What sets The Cookers apart is the high proportion of original compositions in their repertoire and the musicianship that allows them to pull it off without sounding derivative.

Saxophonist Ryan Oliver’s composition, “The Crumpler,” has phrasing and an arrangement reminiscent of Herbie Hancock’s Watermelon Man but, like many jazz compositions even in the golden era of jazz, the similarity is incidental, short-lived, and leaves no question that this is original work. That’s just one example of a deep well of original music starting with their Vol. 1 album (For Right Music, 2014) and continuing into this release. Bassist Alex Coleman also composed some wonderful tunes in “The Sheriff” off this album and “Obligatory Blues” from Vol. 1.

Kudos to record label Do Right Music for fostering this act and others in its stable like The Soul Jazz Orchestra and Dawn Pemberton. Good music doesn’t need to be “on trend” or tailored to a demographic. Done right, it just cooks.

 

The Players: Ryan Oliver (tenor sax), Tim Hamel (trumpet), Richard Whiteman (piano), Alex Coleman (bass), Joel Haynes (drums).