Archives for posts with tag: Shaun Martin

Album Review: Beautiful Vinyl Hunter, Ashley Henry (Sony Music, September 2019)

Beautiful Vinyl Hunter is Ashley Henry’s debut full-length album. Having just celebrated his 28th birthday, Henry has produced an album rich beyond his years.

Listening end to end, three modes emerge on this album. Contemporary piano jazz leads off with “STAR CHILD” featuring Judi Jackson on vocals. Jackson also appears on “Lullaby (Rise and Shine),” which sounds like it came out of the Cole Porter songbook. “Cranes (In the Sky)” is an upbeat piano jazz anthem, not unlike something you might hear from Shaun Martin. My favourite track in the jazz mode of this album is “Ahmed.” The melody, rhythm, and improvisation stand up to repeated listens and remind you why the piano is perhaps the most expansive instrument in jazz music.

Henry’s second mode is hip hop, with tracks like “Between the Lines” featuring Keyon Harrold and “COLORS” featuring Joshua Idehen. They meld seamlessly into the album’s soundscape, ever decorated by Henry’s keyboard work.

The third mode is electric. Henry plays a Rhodes electric piano for tracks like “Introspection” and “Dark Honey (4thestorm),” echoing atmospheric 1970s fusion.

Already in his young career, Ashley Henry has cultivated a sound and shown us he knows how to use a range of collaborations and styles to create an irresistible work.

 

 

2018 Year in Review

This past year was particularly bountiful with new music. So many albums and singles resonated with me and they ran the gamut across jazz, R&B, hip-hop, and genre-blurring styles. It was also the year I crossed off a bucket list concert, finally seeing Herbie Hancock Live in Toronto.

Album of the year for me was The Return by Kamaal Williams. It is still fresh after so many listens and will remain in high rotation for years to come. A close runner-up was Shaun Martin’s Focus. Both albums, although quite different stylistically, are grounded in improvisational jazz and boast enduring compositions.

Some of my favourite albums also came from artists I only discovered this year: Tom Misch, Masego, and Australian jazz ensemble, Menagerie.

Albums

  1. Kamaal Williams, The Return (Black Focus)
  2. Shaun Martin, Focus (Ropeadope)
  3. Detroit Swindle, High Life (Heist Recordings)
  4. Tom Misch, Geography (Beyond the Groove)
  5. Phil France, Circles (Gondwana)
  6. Mac Miller, Swimming (Warner Bros.)
  7. Menagerie, Menagerie (Freestyle Records)
  8. Nightmares on Wax, Shape the Future (Warp Records)
  9. Ady Suleiman, Memories (Simco Ltd.)
  10. The Expansions, Murmuration (Albert’s Favorites Ltd)
  11. Masego, Lady Lady (EQT Recordings)
  12. Reel People, Retroflection (Reel People Music
  13. Brandon Coleman, Resistance (Brainfeeder)
  14. Fatima, And Yet It’s All Love (Eglo Records)
  15. Thomas Dybdahl, All These Things (1MicAdventure)

My pick for song of the year was Mac Miller’s “What’s the Use” featuring Thundercat. Thundercat featured heavily in many of my favourite songs this year, namely on collaborations with Flying Lotus and Louis Cole.

Special mention to Chaka Khan for the flyest video in decades for “Like Sugar.”

Thundercat & Mac Miller; Image Credit: NPR Tiny Desk Concert (August 2018)

Songs (Listen to this playlist on Spotify)

  1. What’s the Use, Mac Miller, Swimming (Warner Bros.)
  2. Trouble on Central, Buddy, Harlon & Alondra (RCA)
  3. Tried (single), Badbadnotgood & Little Dragon (Badbadnotgood Ltd.)
  4. Like Sugar (single), Chaka Khan (Diary Records / Island Records)
  5. Tadow feat. FKJ, Masego, Lady Lady (EQT Recordings)
  6. King of the Hill feat. Badbadnotgood & Flying Lotus, Thundercat, Brainfeeder X (Brainfeeder)
  7. Dancing to a Love Song (single), Barry & Gibbs (Sakura Music)
  8. Flight 22, Kali Uchis, Isolation (Rinse / Virgin EMI)
  9. Old Castles, Paul Weller, True Meanings (Solid Bond Productions / Warner)
  10. Cheers feat. Q-Tip, Anderson .Paak, Oxnard (12 Tone Music)
  11. Thinking About Your Love feat. Omar, Reel People, Retroflection (Reel People Music)
  12. Love 4 Love (Joey Negro Extended Remix), Change, Love 4 Love (Nova 017)
  13. Testify, Kamasi Washington, Heaven and Earth (Young Turks)
  14. Everything feat. John Legend, Ella Mai, Ella Mai (10 Summers / Interscope)
  15. Summertime Magic (single), Childish Gambino (mcDJ Recording / RCA)
  16. State of Mine feat. Philippe Saisse, Nile Rodgers & Chic, It’s About Time (Virgin EMI)
  17. When You’re Ugly, Louis Cole, Time (Brainfeeder)
  18. Lost & Found, Jorja Smith, Lost & Found (FAMM)
  19. Wait, Sabrina Claudio, About Time (SC Entertainment)
  20. Secretly, Onra, Nobody Has to Know (All City Records)

New to Me

Ryo Fukui, Scenery (Trio Records, 1976)

Ryo Fukui was a self-taught pianist who released this album in 1976 to great critical acclaim in his native Japan. Remarkably, Fukui had only started learning the piano 6 years before this album’s release. The ten minute track at the album’s heart, “Early Summer” is rich, complex, and moving, but most of all, it just swings. I have to thank Toronto DJ Jason Palma for introducing me to this album on his radio program, Higher Ground.

I also became re-enamoured with the late great George Duke, in particular, this performance of “It’s On” at the Java Jazz Festival in 2010. Duke has long been a favourite of mine but I hadn’t seen this performance until recently.

Passings

Legends like Aretha Franklin and Hugh Masekela left us in 2018. I was lucky enough to see them both live in years past. Their stage presence was larger than life. One of the most moving videos I watched this year was this tribute by Chaka Khan at Franklin’s Funeral.

 

Hugh Masekela; Image Source: YouTube, Hugh Masekela Live in Berlin (2014)

Other passings that were particularly sad were Mac Miller at the young age of 26 and Roy Hargrove, who was such an innovator in the crossover of jazz, R&B, and hip-hop.

Anticipating in 2019

Speaking of Chaka Khan, there is apparently a new album in the works although no sign of a release date. If “Like Suger” is any indication, it will be worth the wait. Khan’s last studio release was more than 10 years ago.

I’m still eagerly awaiting a sophomore release from Jarrod Lawson and, perchance, a new album from my favourite musical group, Incognito.

Album Review: Focus, Shaun Martin (Ropeadope, July 2018)

I liked Shaun Martin the instant I heard his first chord. His debut 7 Summers album (Ropeadope, 2015) is still one of my favourite piano jazz recordings. Martin has a majestic compositional and musical style. There’s something sweeping and “American” about his sound – a hint of Aaron Copeland.

In Focus, Martin delivers jazz piano in a more conventional trio framework while retaining his knack for rhythm and pleasing chords. This record, more than his last, oozes patience and evokes the touch of a pianist like Ahmad Jamal. To wit, Martin’s version of “Body and Soul” is as classical a rendering of that standard as one can imagine. “Festina Lente” is more grand, bridging contemporary and smooth jazz. “Ms Genell” is an easy-going and bluesy number, named for his grandmother.

Martin writes on his bandcamp page, “this album reminds me to focus on the purity of the instruments and the authenticity of music.” With Focus, he’s achieved this for himself and for the listener.

 

The Players: Shaun Martin (piano), Jamil Byrom (drums), AJ Brown (double bass); On “Focus,” Keith Taylor (bass), Robert ‘Sput’ Searight (drums)