Archives for posts with tag: RAC

2017 Year in Review

I’m declaring 2017 the year of the West Coast Get Down. The West Coast Get Down is a collective of jazz musicians who feature prominently in my favourite music of the past year. Kamasi Washington, Terrace Martin, and Trevor Lawrence Jr., to name a few, delivered great jazz albums this year, each distinct in style but all revealing a deep musicality among all the players. To wit, Martin and Lawrence are currently touring as Herbie Hancock’s band, along with bassist James Genus. And my musical highlight of the year was seeing Kamasi Washington live in Toronto.

Honourable mention goes to a strong Canadian presence in some of the best R&B and electronically influenced soul from the past year. Musicians in Drake’s orbit like Majid Jordan and dvsn released some of my favourite songs of the year. Mary J. Blige’s collaboration with Montreal producer Kaytranada and Toronto based Badbadnotgood was another favourite.

 

Top of the album list for me is A Million Things by Rohey. Their debut delivers an amazing range of jazz, soul, and R&B but keeps it together in a well put-together album.

 

Albums

  1. RoheyA Million Things (Rohey)
  2. Kamasi WashingtonHarmony of Difference (Young Turks)
  3. Terrace Martin presents The PollyseedsSounds of Crenshaw, Vol. 1 (Ropeadope)
  4. Omar, Love in Beats (Do Right!)
  5. Thievery Corporation, The Temple of I & I (ESL)
  6. Trevor Lawrence Jr.Relationships (Ropeadope)
  7. Goldie, The Journey Man (Metalheadz)
  8. Moonchild, Voyager (Tru Thoughts)
  9. Farnell NewtonBack to Earth (Posi-Tone)

Song of the year for me goes to “Truth” by Kamasi Washington with a close runner up being it’s namesake on Goldie’s album, performed by Jose James. That track, although first penned by Goldie for David Bowie, is reborn with James on vocal – his best performance in years, in my opinion.

Songs

  1. Truth, Kamasi WashingtonHarmony of Difference (Young Turks)
  2. Truth, Goldie feat. Jose JamesThe Journey Man (Metalheadz)
  3. Heavy, RAC feat. Karl KlingEgo (Counter)
  4. Welcome Speech, CrackazatRainbow Fantasia (Local Talk)
  5. Telling the Truth, Mary J. Blige feat. Kaytranada and BadbadnotgoodStrength of a Woman (Capitol)
  6. My Imagination, Majid Jordan feat. dvsnThe Space Between (Ovo Sound)
  7. Can’t Wait, dvsnMorning After (Ovo Sound)
  8. Minute, No Way Back feat. Sophia Black (Enhanced Music)
  9. Come and be a Winner, Sharon Jones & The Dap-KingsSoul of a Woman (Daptone)
  10. iRise, Chantae Cann feat. Snarky PuppySol Empowered (Ropeadope)
  11. Get it Together, Drake feat. Black Coffee and Jorja Smith, More Life (Young Money)
  12. On My Mind (Acoustic) – single, Jorja Smith feat. Preditah (FAMM Limited)
  13. Way Back, TLC feat. Snoop Dogg, TLC (852 Musiq)
  14. Better Late Than Never, Waajeed, Shango EP (Dirt Tech Reck)
  15. Show You the Way, ThundercatDrunk (Brainfeeder)

New to Me

In my annual quest to discover older music, I found many gems but the most lasting from this year’s search is multi-instrumental reedist, Yusef Lateef. Lateef’s style is distinctly mellow but also inimitably cool. I’ve had his Eastern Sounds (Concord, 1961) and The Blue Yusef Lateef (Atlantic, 1968) albums on high rotation for most of the year.

Yusef Lateef

Most Anticipated in 2018

Three artists teased us with minor releases over the past couple of years and are overdue for full length albums in 2018.

  • Charlotte Day Wilson – An amazingly soulful vocal talent from Toronto released a brilliant debut EP CDW, in 2016. A new single, “Doubt,” was just released and bodes well for what’s to come.
  • Jarrod Lawson – His self-titled debut (2014) was one of the most solid solo male R&B records in a long while, mostly because of how pure it was in songwriting and vocal performance. His sophomore album is eagerly anticipated and I hope the wait will be over in 2018.
  • Ady Suleiman, Memories – Having released multiple singles and EPs over the last couple of years, Suleiman’s debut full-length album is set to drop in March. The first single, “I Remember,” throws the same high wattage of soul and reggae influenced vocals as his body of work to date.

Passings

This year, we lost some of my favourite vocalists and musical stylists in Al Jarreau, Leon Ware, and Frankie Paul. It was also sad to hear of jazz guitarist Chuck Loeb’s passing at the age of 61. Finally, Gord Downie, a national cultural treasure in Canada passed away in October, followed by a flurry of tributes from coast to coast to coast.

Al Jarreau performing live in Los Angeles
1977 © 1978 Bobby Holland

 

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2015 Year in Review: New and New to Me

For me, the year in music was characterized by breakouts and comebacks. Hard-at-work artists toiling in obscurity finally broke into the main. Legendary artists returned with quality works reminding us of why they are great.

In the breakout category, Kamasi Washington tops the list and gets my vote for album of the year, by far. In addition, three artists who I learned about through Gilles Peterson finally released new material, earning much-deserved notoriety: Lion Babe, Hiatus Kaiyote, and Ady Suleiman.

In the legend category, we had D’Angelo (his album dropped Dec 2014 but lets not split hairs), Jill Scott, Madonna, and Prince.

Favourite Albums

  1. Kamasi Washington, The Epic (Brainfeeder)
  2. Ady Suleiman, This is my EP (Sony)
  3. Lion Babe, Lion Babe EP (Outsiders/Polydor)
  4. D’Angelo and the Vanguard, Black Messiah (RCA/Sony)
  5. The Cookers Quintet, Vol. 2 (Do Right Music)
  6. Prince, HitnRun Phase Two (NPG Records)
  7. Haitus Kayote, Choose Your Weapon (Sony)
  8. The Rebirth, Being Thru the Eyes of a Child (Walk Talkin)
  9. Oddisee, The Good Fight (Mello Music Group)
  10. Jill Scott, Woman (Atlantic/WEA)
  11. Bluey, Life Between the Notes (Shanachie)
  12. Pete Josef, Colours EP (Sonar Kollectiv)
  13. Fourplay, Silver (Concord Music)
  14. Jamie Woon, Making Time (Polydor)
  15. Madonna, Rebel Heart (Live Nation/Interscope)

Favourite Tracks

  1. “Get Down,” Muz’art (Dream Team SA)
  2. “Elevator (Going Up),” Louie Vega feat. Monique Bingham (Vega Records)
  3. “Backyard Party,” R. Kelly, The Buffet (RCA / Sony)
  4. “Cel U Lar Device,” Erykah Badu, But you Caint Use my Phone (Motown / UMG)
  5. “Can’t Forget You,” RAC feat. Chelsea Lankes (Battestation Records)
  6. “Psychic,” XL Middleton, Tap Water (Mo Funk Records/Crown City Ent.)
  7. “Live your Life,” Pete Josef, Colour (Sonar Kollectiv)
  8. “Am I Wrong,” Anderson .Paak feat. ScHoolboy Q (Art Club / Empire)
  9. “Them Changes,” Thundercat, The Beyond / Where the Giants Roam (Brainfeeder)

New to Me (Rediscovered)

Every year, I’m keen to discover an artist or musical sub genre that made a mark on music but was unknown to me. This year, I made three musical finds of note.

Lonnie Liston Smith, a great soul, jazz, and funk keyboardist, has been making music for decades and likely inspired many of the musicians I follow today. His body of work is as broad as it is deep. For a George Duke and Roy Ayers fine such as myself, being oblivious to Lonnie Liston Smith is embarrassing. For the similarly wretched and uninitiated, I would recommend Explorations – The Columbia Years (Sony, 2002) as a nice primer.

For years, I’ve known of Vince Guaraldi Trio and their iconic music for the Charlie Brown TV specials. What I hadn’t heard in full until this Christmas was A Charlie Brown Christmas – Expanded Edition (Concord Music Group, 2012). It is a remarkable album, not only for the Holiday season but for any occasion when you need a dose of downtempo cool jazz. The instrumental version of “Christmas Time is Here” is one of the most sublimely perfect recordings of a piano, drum kit, and double bass.

Last but not least, seeing Incognito live and meeting Jean-Paul ‘Bluey’ Maunick was the musical highlight of my year.

Anticipating in 2016…

For the past five years, I’ve lamented the ever-postponed debut album from KING. Happily, it has a release date early in 2016 and I’ve already pre-ordered a download.

Omar (a.k.a. Omar Lye-Fook) released a single last year, suggesting a full length album is in the works. If it is anywhere near as good as The Man (Shanachie, 2013) – my pick for best album of 2013 – it will be worth the wait.

We may also see a sophomore album from soul/jazz breakthrough artist, Jarrod Lawson, who incidentally has hinted a collaboration with the aforementioned Omar is something he would like to do.

Happy, peaceful, and musical 2016!