Archives for posts with tag: Omar

2016 Year in Review

This year was tiring. Civil society began unravelling in America and Europe. War and mass forced migration broke our hearts. The relentless tedium of the US election cycle consumed and played back thousands of hours of nauseating clickbait. In the world of music, we lost, among others, Prince, Bowie, and Maurice White…living legends no more. Thankfully, music gave a little back – precious respite in a woeful year.

Favourite Albums

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Album of the year for me was We are King, from a trio I have gushed about for the past 5 years. A close runner up is the fantastic instrumental soul debut by The Olympians from Daptone Records.

 

  1. King, We Are King
  2. The Olympians, The Olympians
  3. Kaytranada, 99.9%
  4. Lion Babe, Begin
  5. Terrace Martin, Velvet Portraits
  6. A Tribe Called Quest, We got it from here…Thank you 4 your service
  7. Incognito, In Search of Better Days
  8. Yussef Kamaal, Black Focus

Favourite Tracks

  1. “Dang!” Mac Miller feat. Anderson .Paak
  2. “In your eyes” Badbadnotgood feat. Charlotte Day Wilson
  3. “Little Dreamer” Lion Babe
  4. “I Want it to Be” Omar
  5. “Honey” Katy B & Kaytranada
  6. “The Space Program” A Tribe Called Quest
  7. “Precious Love” Lee Fields & The Expressions
  8. “Rain” Common feat. John Legend
  9. “Lifeguard Tower #22” The Gaslamp Killer feat. Miguel-Atwood Ferguson
  10. “Revolution Radio” Green Day
  11. “Better Days” Incognito feat. Vula Malinga
  12. “24K Magic” Bruno Mars
  13. “Think twice” Takuya Kuroda feat. Antibalas
  14. “Snowman” R. Kelly

New to Me (Rediscovered)

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Ramsey Lewis Quartet, Koerner Hall, Toronto, June 30, 2016

In my annual quest to discover musical greatness that was previously unknown to me, the passing of Maurice White prompted much listening to his body of work, including this wonderfully definitive podcast tribute by veteren U.K. DJ Patrick Forge. Thus, I was introduced to Ramsey Lewis, the talented jazz pianist who hired White as his drummer in 1966.

As luck would have it, Mr. Lewis graced the Toronto Jazz Festival this year and I was able to catch a masterclass performance.

 

Passings

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Maurice White (1941-2016)

We lost some living legends this past year. David Bowie and Prince need no further explanation. For me, losing Maurice White, founding member and master-arranger of Earth, Wind, and Fire was particularly sad. Other notable passings were hit-maker Rod Temperton who penned some of the greatest pop records in our musical consciousness, jazz vibraphonist Bobby Hutcherson, and Daptone Records soul diva, Sharon Jones.

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2015 Year in Review: New and New to Me

For me, the year in music was characterized by breakouts and comebacks. Hard-at-work artists toiling in obscurity finally broke into the main. Legendary artists returned with quality works reminding us of why they are great.

In the breakout category, Kamasi Washington tops the list and gets my vote for album of the year, by far. In addition, three artists who I learned about through Gilles Peterson finally released new material, earning much-deserved notoriety: Lion Babe, Hiatus Kaiyote, and Ady Suleiman.

In the legend category, we had D’Angelo (his album dropped Dec 2014 but lets not split hairs), Jill Scott, Madonna, and Prince.

Favourite Albums

  1. Kamasi Washington, The Epic (Brainfeeder)
  2. Ady Suleiman, This is my EP (Sony)
  3. Lion Babe, Lion Babe EP (Outsiders/Polydor)
  4. D’Angelo and the Vanguard, Black Messiah (RCA/Sony)
  5. The Cookers Quintet, Vol. 2 (Do Right Music)
  6. Prince, HitnRun Phase Two (NPG Records)
  7. Haitus Kayote, Choose Your Weapon (Sony)
  8. The Rebirth, Being Thru the Eyes of a Child (Walk Talkin)
  9. Oddisee, The Good Fight (Mello Music Group)
  10. Jill Scott, Woman (Atlantic/WEA)
  11. Bluey, Life Between the Notes (Shanachie)
  12. Pete Josef, Colours EP (Sonar Kollectiv)
  13. Fourplay, Silver (Concord Music)
  14. Jamie Woon, Making Time (Polydor)
  15. Madonna, Rebel Heart (Live Nation/Interscope)

Favourite Tracks

  1. “Get Down,” Muz’art (Dream Team SA)
  2. “Elevator (Going Up),” Louie Vega feat. Monique Bingham (Vega Records)
  3. “Backyard Party,” R. Kelly, The Buffet (RCA / Sony)
  4. “Cel U Lar Device,” Erykah Badu, But you Caint Use my Phone (Motown / UMG)
  5. “Can’t Forget You,” RAC feat. Chelsea Lankes (Battestation Records)
  6. “Psychic,” XL Middleton, Tap Water (Mo Funk Records/Crown City Ent.)
  7. “Live your Life,” Pete Josef, Colour (Sonar Kollectiv)
  8. “Am I Wrong,” Anderson .Paak feat. ScHoolboy Q (Art Club / Empire)
  9. “Them Changes,” Thundercat, The Beyond / Where the Giants Roam (Brainfeeder)

New to Me (Rediscovered)

Every year, I’m keen to discover an artist or musical sub genre that made a mark on music but was unknown to me. This year, I made three musical finds of note.

Lonnie Liston Smith, a great soul, jazz, and funk keyboardist, has been making music for decades and likely inspired many of the musicians I follow today. His body of work is as broad as it is deep. For a George Duke and Roy Ayers fine such as myself, being oblivious to Lonnie Liston Smith is embarrassing. For the similarly wretched and uninitiated, I would recommend Explorations – The Columbia Years (Sony, 2002) as a nice primer.

For years, I’ve known of Vince Guaraldi Trio and their iconic music for the Charlie Brown TV specials. What I hadn’t heard in full until this Christmas was A Charlie Brown Christmas – Expanded Edition (Concord Music Group, 2012). It is a remarkable album, not only for the Holiday season but for any occasion when you need a dose of downtempo cool jazz. The instrumental version of “Christmas Time is Here” is one of the most sublimely perfect recordings of a piano, drum kit, and double bass.

Last but not least, seeing Incognito live and meeting Jean-Paul ‘Bluey’ Maunick was the musical highlight of my year.

Anticipating in 2016…

For the past five years, I’ve lamented the ever-postponed debut album from KING. Happily, it has a release date early in 2016 and I’ve already pre-ordered a download.

Omar (a.k.a. Omar Lye-Fook) released a single last year, suggesting a full length album is in the works. If it is anywhere near as good as The Man (Shanachie, 2013) – my pick for best album of 2013 – it will be worth the wait.

We may also see a sophomore album from soul/jazz breakthrough artist, Jarrod Lawson, who incidentally has hinted a collaboration with the aforementioned Omar is something he would like to do.

Happy, peaceful, and musical 2016!

Album Review: Dim Division, Miguel Migs (Soul Heaven Records, 2014)

dim_division_3Around the time IT consultants were in a frenzy over the Y2K bug, technicians of another kind were creating the music that would entrance us if the world really did end.

That era gave birth to a particular brand of deep house, also described as soulful house, melodic house, chill and so on. Two artists in that movement struck me as the most indelible at the time. One was Blue Six (a.k.a. Jay Denes)  which was responsible for the hit, Sweeter Love (1999, Wave Music). And the second was Miguel Migs (a.k.a. Miguel Steward) who produced under the pseudonym, Petalpusher.

Soon, there was a flood of “chill” and “lounge” collections. Cafe del Mar was as ubiquitous a franchise as Starbucks. After the deluge, house enthusiasts sought higher ground, wanting something edgier, more innovative. Their call was answered. New electronic music flourished in the wake of deep house and branched anew with projects like Groove Armada’s Goodbye Country (Hello Nightclub) (Zomba Records, 2001), Dave Lee’s orchestral Jakatta (Z Records, 2002), and Mark Farina’s hip-hop laced Mushroom Jazz series (Om Records).

Still, there was something nostalgic about the summer of 1999 and 2000 and the music Blue Six and Miguel Migs imprinted on us.

That feeling is back with Migs’ new record, Dim Division. The album is rich with pleasing chord progressions, entrancing vocals, and beats that are utterly simpatico with the music. It has remarkable depth among its 15 tracks, which will easily remain in high rotation for fans of electronic and house music. At the moment for me, “Running Away” featuring Martin Luther is on endless repeat. Other vocalists include regular collaborator Lisa Shaw, Meshell Ndegeocello, Omar, and Aya (a.k.a. Lysa Aya Trenier) who featured on many Blue Six tracks.

Migs’ catalog through the 2000’s maintained a steady hand at deep house but Dim Division could be his very best. I’ll be listening for years still.

Related Listening

2013 in Review: New, New to Me, and Those We Lost

There were many solid new releases this past year and many had two things in common. First, they were introduced to me via Gilles Peterson’s (@gillespeterson) BBC6 program, Worldwide, a staple in my listening. Second, three of my top 5 were released on Blue Note Records.

New Releases:

Looking back just 12 months, there were so many good albums released that I had enough fodder for a top 10, with Omar’s The Man winning the year.

10. Kon, On My Way
9. Brand New Heavies, Forward
8. Mario Biondi, Sun
7. Alice Russell, To Dust
6. Ed Motta, AOR
5. Jean-Paul ‘Bluey’ Maunick, Leap of Faith
4. Jose James, No Beginning No End
3. Robert Glasper Experiment, Black Radio 2
2. Gregory Porter, Liquid Spirit
1. Omar, The Man

Other notable releases were Quadron’s Avalanche, Da Lata’s Fabiola, Daft Punk’s Random Access Memories, RC & the Gritz’ Pay Your Tab, and Wild Belle’s Isles.

New to me: Rediscovered

Chakha Khan & Rufus – Before Chakha Khan’s 80’s resurgence, her career was launched with the 70’s funk and soul band, Rufus. Their album, Street Player (UMG Recordings, 1978) is a particularly good showcase of the bands smoothness and how well suited Khan’s vocal style is to their music. The track, “Destiny,” is essential listening.

Harvey Mason – I posted a Harvey Mason playlist after discovering this drummer who made his mark on numerous jazz and fusion classics.

Skee-Lo – An oddball find from 1995 when hip-hop albums were so prolific that it was hard to cut through the clutter to find those that would last. Skee-Lo’s album, I Wish (Ultra Moda Music, 1995) holds up today with its pleasing blend of melody and rhyme. It’s also a hip-hop album that’s not afraid to have some fun.

Ben l’Oncle Soul – Neo soul has been played out in my books for some time now. But Ben L’Oncle Soul’s self-titled release (Mercury Music Group, 2010) had a fresh take because a) it’s mostly sung in French; and b) the artist makes the music his own, not trying to mimic crooners from the 60’s and 70’s but celebrating his voice and music in his own way.

Notable Passings

  • Donald Byrd – One of my musical heros. An innovator and prolific melodist. Tributes to him abound on the internet as the year closes out. Nice to see him getting such wide recognition.
  • Stompin’ Tom Connors – A Canadian folk music treasure whose lyrics and music are essential Canadiana
  • George Duke – A keyboardist and innovator in the vein of Donald Byrd and Herbie Hancock
  • Lou Reed – Another innovator and catalyst who influenced rock and punk acts through the 70s and 80s

Most Anticipated in 2014

Q-Tip, The Last Zulu – This project has been on the radar for some time now but it’s hard to nail down a release date amongst the hype out there. The album is said to include, in some form, a reunion of original A Tribe Called Quest members.

Zara McFarlane, If You Knew Her – The follow-up from her excellent 2011 debut Until Tomorrow (Brownswood)

Jose James – His second release on the Blue Note label is in production, according to James’ facebook updates.

Prince, Plectrum Electrum – The recently released (and excellent) single, “Breakfast Can Wait,” will be on the album as will tracks featuring the rock-centered 3rd Eye Girl who are touring with Prince.

Happy, peaceful, and musical New Year!

Album Review: The Man, Omar, Shanachie Entertainment, 2013

omar-the-man-lp-lead It’s not everyday a bass clarinet is used to drive a hooky bassline on a monster R&B hit, as is the case with “The Man,” the title track from Omar’s 7th studio album. U.K. R&B/Soul veteren, Omar a.k.a Omar Christopher Lyefook) has mercifully returned after a seven year recording absence.

Basslines, including the obscure-yet-effective woodwind on “The Man,” emerge as Omar’s calling card throughout this fine album. “Simplify” is driven by stacatto flute sounds. “Come on speak to me” is carried by a hard-working double bass.

The Man also features several collaborations including former Jamiroquai bassist Stuart Zender playing on “Ordinary Day,” a bossa-inspired track punctuated by Omar’s vocal ad lib and pulsing with energy thanks to some fantastic horn and string arrangements. Another collaboration is with former The Who and D’Angelo bassist, Pino Palladino doing a renewed version of Omar’s most popular hit, “There’s nothing like this.” This version is jazzier than the original, with more  swing and some nice Rhodes work by Omar himself. The bassline is true to the original classic, not giving Palladino much space to play. Nice as this version is, it struck me as an odd choice, re-working a song whose original still stands up today.

Still, the entire album is pleasing, like a stroll on a fine day. Each track delights with its unique bassline. Omar’s flawlesss vocals are aptly front-and-centre in every mix, and the innovative instrumentation gives the music a freshness that sets it apart from other recent releases in the R&B, Soul, and Jazz-Funk genre’s.