Archives for posts with tag: Miguel Steward

Album Review: 99.9%, Kaytranada (HW&W Recordings, May 2016)

kaytraKaytranada (a.k.a. Louis Kevin Celestin) has made a splash that continues to ripple through some of today’s most sought after music. The Montreal-based producer, DJ, and musician released his debut full-length album earlier this year and has already won praise from peers and the industry alike.

99.9% is a fifteen track gift, laden with beats, melodies, and vocal collaborations that set it apart from purely instrumental and ambient electronic music. In fact, the ‘electronic’ label hardly suits this work. It is too artfully crafted and curated to be associated with programmed machine music.

Featuring a ‘just-right’ mix of R&B, electronic, and hip-hop tracks, the album has staying power. A slow jam like “Got it Good” featuring vocalist Craig David is complemented by the deep house of “Leave me Alone” featuring Shay Lia. More innovative and offbeat tracks like “Lite Spots” and “Bullets” featuring Little Dragon place Kaytranada on the vanguard and explain why he’s been so successful attracting acclaimed collaborators like Anderson .Paak.

One of the marks of a great album is its ability to attract your ear to different tracks at different times. When I first bought this record, “One too Many” featuring Phonte was on endless repeat. Now, after some distance and listening with fresh ears, “Weight Off” featuring BADBADNOTGOOD is irresistable. The two tracks are vastly different but maintain a coolness that Kaytranada seems to breathe into his music.

Related Listening

  • This Kaytranada remix of Janet Jackson’s ‘If’ is outstanding and never tires
  • British pop singer Katy B collaborated with Kaytranada on the beautiful title track of her Honey album. It also appears to be loosely re-imagined on 99.9% as the track, “Vivid Dreams” featuring River Tiber
  • The last ‘electronic’ album review I raved about was Miguel Migs’ Dim Division (Soul Heaven Records, 2014). A tip of the hat to an electronic music elder seemed apt since since Migs is 20-years senior to Mr. Celestin.
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Album Review: Dim Division, Miguel Migs (Soul Heaven Records, 2014)

dim_division_3Around the time IT consultants were in a frenzy over the Y2K bug, technicians of another kind were creating the music that would entrance us if the world really did end.

That era gave birth to a particular brand of deep house, also described as soulful house, melodic house, chill and so on. Two artists in that movement struck me as the most indelible at the time. One was Blue Six (a.k.a. Jay Denes)  which was responsible for the hit, Sweeter Love (1999, Wave Music). And the second was Miguel Migs (a.k.a. Miguel Steward) who produced under the pseudonym, Petalpusher.

Soon, there was a flood of “chill” and “lounge” collections. Cafe del Mar was as ubiquitous a franchise as Starbucks. After the deluge, house enthusiasts sought higher ground, wanting something edgier, more innovative. Their call was answered. New electronic music flourished in the wake of deep house and branched anew with projects like Groove Armada’s Goodbye Country (Hello Nightclub) (Zomba Records, 2001), Dave Lee’s orchestral Jakatta (Z Records, 2002), and Mark Farina’s hip-hop laced Mushroom Jazz series (Om Records).

Still, there was something nostalgic about the summer of 1999 and 2000 and the music Blue Six and Miguel Migs imprinted on us.

That feeling is back with Migs’ new record, Dim Division. The album is rich with pleasing chord progressions, entrancing vocals, and beats that are utterly simpatico with the music. It has remarkable depth among its 15 tracks, which will easily remain in high rotation for fans of electronic and house music. At the moment for me, “Running Away” featuring Martin Luther is on endless repeat. Other vocalists include regular collaborator Lisa Shaw, Meshell Ndegeocello, Omar, and Aya (a.k.a. Lysa Aya Trenier) who featured on many Blue Six tracks.

Migs’ catalog through the 2000’s maintained a steady hand at deep house but Dim Division could be his very best. I’ll be listening for years still.

Related Listening