Archives for posts with tag: Miguel Migs

Album Review: 99.9%, Kaytranada (HW&W Recordings, May 2016)

kaytraKaytranada (a.k.a. Louis Kevin Celestin) has made a splash that continues to ripple through some of today’s most sought after music. The Montreal-based producer, DJ, and musician released his debut full-length album earlier this year and has already won praise from peers and the industry alike.

99.9% is a fifteen track gift, laden with beats, melodies, and vocal collaborations that set it apart from purely instrumental and ambient electronic music. In fact, the ‘electronic’ label hardly suits this work. It is too artfully crafted and curated to be associated with programmed machine music.

Featuring a ‘just-right’ mix of R&B, electronic, and hip-hop tracks, the album has staying power. A slow jam like “Got it Good” featuring vocalist Craig David is complemented by the deep house of “Leave me Alone” featuring Shay Lia. More innovative and offbeat tracks like “Lite Spots” and “Bullets” featuring Little Dragon place Kaytranada on the vanguard and explain why he’s been so successful attracting acclaimed collaborators like Anderson .Paak.

One of the marks of a great album is its ability to attract your ear to different tracks at different times. When I first bought this record, “One too Many” featuring Phonte was on endless repeat. Now, after some distance and listening with fresh ears, “Weight Off” featuring BADBADNOTGOOD is irresistable. The two tracks are vastly different but maintain a coolness that Kaytranada seems to breathe into his music.

Related Listening

  • This Kaytranada remix of Janet Jackson’s ‘If’ is outstanding and never tires
  • British pop singer Katy B collaborated with Kaytranada on the beautiful title track of her Honey album. It also appears to be loosely re-imagined on 99.9% as the track, “Vivid Dreams” featuring River Tiber
  • The last ‘electronic’ album review I raved about was Miguel Migs’ Dim Division (Soul Heaven Records, 2014). A tip of the hat to an electronic music elder seemed apt since since Migs is 20-years senior to Mr. Celestin.
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2014 in Review: New, New to Me, and Those We Lost

A year ago, I was rife with anticipation for the music 2014 would bring. A new Incognito album was due and several new artists were on the verge of debuting new albums. In retrospect, 2014 delivered on its promise but not for all the reasons I thought.

image058-250x250 Citrus-sun-albumIncognito did release Amplified Soul (Shanachie) in May. It was the strong and consistent album I knew it would be. The first (pleasant) surprise of the year came before that in March with the release of People of Tomorrow (Dome Records) by Citrus Sun, an instrumental project led by Incognito leader Jean-Paul Bluey Maunick.

Screen Shot 2014-06-02 at 11.05.25 PM dim_division_3More new music kept coming from sources that were not typically in my musical wheelhouse. Of these, I’d say Mark de Clive Lowe’s Church (Ropeadope, 2014) was the sweetest find. Miguel Migs’ Dim Division (Soul Heaven Records, 2014) comes a close second.

On the downside, two highly anticipated albums were lacklustre in my regard. Zara McFarlane’s If You Knew Her (Brownswood, 2014) and Jose James’ While You Were Sleeping (Blue Note, 2014) had moments of strength but I wasn’t able to connect with the albums on the whole, unlike previous releases from these artists.

Finally, 2014 had its disappointments, mostly because of what it didn’t bring:

  • I’m still eagerly awaiting KING’s full length album. A single release was all they could muster this year but their website indicates the album, We Are KING Music is set to drop (no telling when).
  • Ady Suleiman was a singular talent brought to light by Gilles Peterson in 2012/13. Although he continues to record and share tracks via social media, it’s not clear if an album is in the works. His SoundCloud page is definitely worth a listen.
  • The buzz on Q-Tip’s new project, The Last Zulu, rose and then faded. It’s not clear how real this album is or when it will finally drop.

Favourite Albums:

  1. Mark de Clive Lowe, Church
  2. Lion Babe, Lion Babe EP
  3. Incognito, Amplified Soul
  4. Miguel Migs, Dim Division
  5. Citrus Sun, People of Tomorrow
  6. Sonzeira, Brasil Bam Bam Bam
  7. Lone, Reality Testing
  8. Michael Jackson, XScape
  9. D’Angelo and the Vanguard, Black Messiah
  10. Bobby Hutcherson, Enjoy the View

Tracks

  • Blum “You’ll always be in my heart (Omega Edit)” – Heard on Jason Palma’s excellent radio program, Higher Ground (ciut.fm, Thursdays 8pm ET). Amazing re-work of a Sarah Vaughan track.
  • Lion Babe, “Jump High feat. Childish Gambino”- One of four outstanding tracks on the self-titled EP released in December.
  • KING, “Mr. Chamaeleon” – A single track from this talented trio is better than no new music but fans continue to pine for a full album.

New to Me: Rediscovered

Untitled-3.inddMarvin Gaye & the Mizell Brothers 

Two tracks from recording sessions that until recently were hidden away in Motown’s vaults are perhaps the best recorded music to be released in the last decade. Combining Mizell production with Gaye’s easy-going vocals is nothing short of alchemy. It’s too bad this partnership wasn’t allowed to flourish under the Motown Records leadership of the day. “Woman of the World” and “Where Are We Going” are must-haves for soul and jazz afficianados.

stevie-wonder-songs-in-the-key-of-live-2014-tour-600x400Songs in the Key of Life

This classic Stevie Wonder album had gone unnoticed by me until this year. Smash hits aside, the album is a strong end-to-end opus and was perfectly featured in Wonder’s recent live tour. I was fortunate enough to catch him in Toronto in November. This album is now firmly on my desert island list.

Notable Passings

  • Idris Muhammad – A drummer with remarkable range, from work with Ahmad Jamal, Pharoah Sanders, and even Ernie Ranglin
  • Charlie Haden – Contrabassist with jazz credentials ranging from John Coltrane to Keith Jarrett and Ornette Coleman
  • Bobby Womack – One of the most recognizable voices in soul music. He had been enjoying a resurgence of sorts recently with the release of The Bravest Man in the Universe (XL Recordings, 2012)
  • Ronny Jordan – A particularly poignant loss for me because Jordan was one of the first artists I discovered who bridged jazz, funk, and hip-hop. This musical space has dominated my listening for the better part of two decades and Jordan’s guitar jazz hold’s a special place for this reason.
ronny-jordan

Ronny Jordan (1962-2014)

 

Album Review: Dim Division, Miguel Migs (Soul Heaven Records, 2014)

dim_division_3Around the time IT consultants were in a frenzy over the Y2K bug, technicians of another kind were creating the music that would entrance us if the world really did end.

That era gave birth to a particular brand of deep house, also described as soulful house, melodic house, chill and so on. Two artists in that movement struck me as the most indelible at the time. One was Blue Six (a.k.a. Jay Denes)  which was responsible for the hit, Sweeter Love (1999, Wave Music). And the second was Miguel Migs (a.k.a. Miguel Steward) who produced under the pseudonym, Petalpusher.

Soon, there was a flood of “chill” and “lounge” collections. Cafe del Mar was as ubiquitous a franchise as Starbucks. After the deluge, house enthusiasts sought higher ground, wanting something edgier, more innovative. Their call was answered. New electronic music flourished in the wake of deep house and branched anew with projects like Groove Armada’s Goodbye Country (Hello Nightclub) (Zomba Records, 2001), Dave Lee’s orchestral Jakatta (Z Records, 2002), and Mark Farina’s hip-hop laced Mushroom Jazz series (Om Records).

Still, there was something nostalgic about the summer of 1999 and 2000 and the music Blue Six and Miguel Migs imprinted on us.

That feeling is back with Migs’ new record, Dim Division. The album is rich with pleasing chord progressions, entrancing vocals, and beats that are utterly simpatico with the music. It has remarkable depth among its 15 tracks, which will easily remain in high rotation for fans of electronic and house music. At the moment for me, “Running Away” featuring Martin Luther is on endless repeat. Other vocalists include regular collaborator Lisa Shaw, Meshell Ndegeocello, Omar, and Aya (a.k.a. Lysa Aya Trenier) who featured on many Blue Six tracks.

Migs’ catalog through the 2000’s maintained a steady hand at deep house but Dim Division could be his very best. I’ll be listening for years still.

Related Listening