Archives for posts with tag: Luciana Oliveira

Playlist: World Cup 2014, Brazil

world-cup-soccer-ball-2014-5c2ttgmySwept into the World Cup whirlwind, I find myself yearning for a soundtrack to what feels more like a festival than a sporting event. Since the host country is home to some of my favourite music, it’s fitting to craft a Brazilian-inspired playlist to enliven things.

This playlist owes a debt to radio programmers who expand and sometimes erase boundaries to help popularize music like this. Gilles Peterson of BBC Radio 6 is credited with a quarter of the tracks on this list, simply due to his excellent collective, Sonzeira and their new release, Brasil Bam Bam Bam (Brownswood, 2014). Similarly, I need to thank Toronto DJ John Kong for introducing me to track #11 by Wando, which has been in high rotation for the better part of a decade since I first heard it. Another standout is Gilberto Gil’s excellent acoustic session for MTV Brazil: Gilberto Gil Acoustic (Atlantic, 1994)

  1. Um Toque (feat. Gabriel Moura), Sonzeira, Brasil Bam Bam Bam (Brownswood, 2014)
  2. America Latina (feat. Marcos Valle & Patricia Alvi), Sonzeira, Brasil Bam Bam Bam (Brownswood, 2014)
  3. La Costa, Natalie Cole, Thankful (Capitol, 1977)
  4. Pais Tropical, Jorge Ben, Jorge Ben (Universal, 1969)
  5. Maculele, Nazare Pereira, Beleza Tropical: Brazil Classics 1 (Luaka Bop, 2003)
  6. Samba em Pilet, Luciana Oliveira, Pura (YB Music, 2013)
  7. Palco, Gilberto Gil, Gilberto Gil Acoustic (Atlantic, 1994)
  8. Aquelle Abraco, Gilberto Gil, Gilberto Gil Acoustic (Atlantic, 1994)
  9. Flamengao, Bebeto, Malicia (Copacabana, 1980)
  10. Waters of March, Basia, Clear Horizon – The Best of Basia (Sony Music, 1998)
  11. Nega De Obaluae, Wando, Wando: Retratos (EMI Music, 2006)
  12. Brasil Pandeiro (feat. Emanuelle Araújo, Arlindo Cruz & Chico Chagas),  Sonzeira, Brasil Bam Bam Bam (Brownswood, 2014)

Obrigado por ouvir!

Album Review: Pura, Luciana Oliveira (YB Music, 2013)

pura Luciana Oliveira is a Brazilian vocalist whose music is classified as Musica Popular Brasileira (MPB), which is more of a movement than a genre. Its membership is as broad as the styles it encompasses. With her sophomore album, Pura, Oliveira manages to expand MPB just enough to distinguish herself from a crowded Bossa Nova revival that surged in the 90’s.

Pura has a rawness that evokes a kind of folk music rather than the constructed coolness of recycled Bossa Nova. The production reminds me of the spartan treatment on Da Lata’s excellent debut, Songs from the Tin (Palm, 2000). The style is showcased in two very different tracks. “Condicionada” is a dissonant melody with sparse arrangements and a tribal rhythm track. It’s dark and raw, about as far as you can get from trendy ‘chill out’ collections. A brighter and beautifully playful track, “Samba em Pilet” offers a nice contrast and borders on ‘singalong.’

My favourite track, “Menina Guiné” is different yet again, this time borrowing from Oliveira’s history with reggae artists, including the Brazilian band Natiruts and dub legend Mad Professor.

With Pura, Oliveira proves that contemporary Brazilian music is more varied and substansive than the style that was “on trend” in the lounge music era. What more could we ask from a distinguished member of the MPB movement?