Archives for posts with tag: KING

2016 Year in Review

This year was tiring. Civil society began unravelling in America and Europe. War and mass forced migration broke our hearts. The relentless tedium of the US election cycle consumed and played back thousands of hours of nauseating clickbait. In the world of music, we lost, among others, Prince, Bowie, and Maurice White…living legends no more. Thankfully, music gave a little back – precious respite in a woeful year.

Favourite Albums

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Album of the year for me was We are King, from a trio I have gushed about for the past 5 years. A close runner up is the fantastic instrumental soul debut by The Olympians from Daptone Records.

 

  1. King, We Are King
  2. The Olympians, The Olympians
  3. Kaytranada, 99.9%
  4. Lion Babe, Begin
  5. Terrace Martin, Velvet Portraits
  6. A Tribe Called Quest, We got it from here…Thank you 4 your service
  7. Incognito, In Search of Better Days
  8. Yussef Kamaal, Black Focus

Favourite Tracks

  1. “Dang!” Mac Miller feat. Anderson .Paak
  2. “In your eyes” Badbadnotgood feat. Charlotte Day Wilson
  3. “Little Dreamer” Lion Babe
  4. “I Want it to Be” Omar
  5. “Honey” Katy B & Kaytranada
  6. “The Space Program” A Tribe Called Quest
  7. “Precious Love” Lee Fields & The Expressions
  8. “Rain” Common feat. John Legend
  9. “Lifeguard Tower #22” The Gaslamp Killer feat. Miguel-Atwood Ferguson
  10. “Revolution Radio” Green Day
  11. “Better Days” Incognito feat. Vula Malinga
  12. “24K Magic” Bruno Mars
  13. “Think twice” Takuya Kuroda feat. Antibalas
  14. “Snowman” R. Kelly

New to Me (Rediscovered)

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Ramsey Lewis Quartet, Koerner Hall, Toronto, June 30, 2016

In my annual quest to discover musical greatness that was previously unknown to me, the passing of Maurice White prompted much listening to his body of work, including this wonderfully definitive podcast tribute by veteren U.K. DJ Patrick Forge. Thus, I was introduced to Ramsey Lewis, the talented jazz pianist who hired White as his drummer in 1966.

As luck would have it, Mr. Lewis graced the Toronto Jazz Festival this year and I was able to catch a masterclass performance.

 

Passings

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Maurice White (1941-2016)

We lost some living legends this past year. David Bowie and Prince need no further explanation. For me, losing Maurice White, founding member and master-arranger of Earth, Wind, and Fire was particularly sad. Other notable passings were hit-maker Rod Temperton who penned some of the greatest pop records in our musical consciousness, jazz vibraphonist Bobby Hutcherson, and Daptone Records soul diva, Sharon Jones.

Music Review: We are King, KING (King Creative LLC, Feb 2016)

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I’ve been waiting for this album for five years. KING released an EP in 2011 called The Story (KING, 2011) and the three songs therein were so instantly great that more had to come. The universe would demand it.

Finally released, We Are King, delivers more of the same brilliance as their debut. Paris Strother, Amber Strother, and Anita Bias are extraordinary songwriters and vocalists. Collectively, they have a discerning ear for great production. If Anita Baker were to co-write an album with Jill Scott and then had it produced by Quincy Jones and Babyface Edmonds, it might come close to We are King.

The album features seven previously unreleased tracks as well as their prior EP and single releases, including reworks of the three songs from The Story. KING’s songwriting doesn’t wane at all across the album. Each track is imprinted with KING’s signature sound: lush electronic arrangements, layered vocals, and chord changes so pleasing, they seem handed down by musical divinity.

The fact that KING has self-published their music to date might explain the length of time it took to produce their full-length debut. On the other hand, the unrelenting quality in their body of work may also suggest a commitment to musical consistency that forced them to take the time they needed to produce something to their standard.

Whatever the reason, the wait has been worthwhile. The depth of We Are King is such that fans will have plenty to indulge in while they wait for KING’s next reign.

 

2015 Year in Review: New and New to Me

For me, the year in music was characterized by breakouts and comebacks. Hard-at-work artists toiling in obscurity finally broke into the main. Legendary artists returned with quality works reminding us of why they are great.

In the breakout category, Kamasi Washington tops the list and gets my vote for album of the year, by far. In addition, three artists who I learned about through Gilles Peterson finally released new material, earning much-deserved notoriety: Lion Babe, Hiatus Kaiyote, and Ady Suleiman.

In the legend category, we had D’Angelo (his album dropped Dec 2014 but lets not split hairs), Jill Scott, Madonna, and Prince.

Favourite Albums

  1. Kamasi Washington, The Epic (Brainfeeder)
  2. Ady Suleiman, This is my EP (Sony)
  3. Lion Babe, Lion Babe EP (Outsiders/Polydor)
  4. D’Angelo and the Vanguard, Black Messiah (RCA/Sony)
  5. The Cookers Quintet, Vol. 2 (Do Right Music)
  6. Prince, HitnRun Phase Two (NPG Records)
  7. Haitus Kayote, Choose Your Weapon (Sony)
  8. The Rebirth, Being Thru the Eyes of a Child (Walk Talkin)
  9. Oddisee, The Good Fight (Mello Music Group)
  10. Jill Scott, Woman (Atlantic/WEA)
  11. Bluey, Life Between the Notes (Shanachie)
  12. Pete Josef, Colours EP (Sonar Kollectiv)
  13. Fourplay, Silver (Concord Music)
  14. Jamie Woon, Making Time (Polydor)
  15. Madonna, Rebel Heart (Live Nation/Interscope)

Favourite Tracks

  1. “Get Down,” Muz’art (Dream Team SA)
  2. “Elevator (Going Up),” Louie Vega feat. Monique Bingham (Vega Records)
  3. “Backyard Party,” R. Kelly, The Buffet (RCA / Sony)
  4. “Cel U Lar Device,” Erykah Badu, But you Caint Use my Phone (Motown / UMG)
  5. “Can’t Forget You,” RAC feat. Chelsea Lankes (Battestation Records)
  6. “Psychic,” XL Middleton, Tap Water (Mo Funk Records/Crown City Ent.)
  7. “Live your Life,” Pete Josef, Colour (Sonar Kollectiv)
  8. “Am I Wrong,” Anderson .Paak feat. ScHoolboy Q (Art Club / Empire)
  9. “Them Changes,” Thundercat, The Beyond / Where the Giants Roam (Brainfeeder)

New to Me (Rediscovered)

Every year, I’m keen to discover an artist or musical sub genre that made a mark on music but was unknown to me. This year, I made three musical finds of note.

Lonnie Liston Smith, a great soul, jazz, and funk keyboardist, has been making music for decades and likely inspired many of the musicians I follow today. His body of work is as broad as it is deep. For a George Duke and Roy Ayers fine such as myself, being oblivious to Lonnie Liston Smith is embarrassing. For the similarly wretched and uninitiated, I would recommend Explorations – The Columbia Years (Sony, 2002) as a nice primer.

For years, I’ve known of Vince Guaraldi Trio and their iconic music for the Charlie Brown TV specials. What I hadn’t heard in full until this Christmas was A Charlie Brown Christmas – Expanded Edition (Concord Music Group, 2012). It is a remarkable album, not only for the Holiday season but for any occasion when you need a dose of downtempo cool jazz. The instrumental version of “Christmas Time is Here” is one of the most sublimely perfect recordings of a piano, drum kit, and double bass.

Last but not least, seeing Incognito live and meeting Jean-Paul ‘Bluey’ Maunick was the musical highlight of my year.

Anticipating in 2016…

For the past five years, I’ve lamented the ever-postponed debut album from KING. Happily, it has a release date early in 2016 and I’ve already pre-ordered a download.

Omar (a.k.a. Omar Lye-Fook) released a single last year, suggesting a full length album is in the works. If it is anywhere near as good as The Man (Shanachie, 2013) – my pick for best album of 2013 – it will be worth the wait.

We may also see a sophomore album from soul/jazz breakthrough artist, Jarrod Lawson, who incidentally has hinted a collaboration with the aforementioned Omar is something he would like to do.

Happy, peaceful, and musical 2016!

2014 in Review: New, New to Me, and Those We Lost

A year ago, I was rife with anticipation for the music 2014 would bring. A new Incognito album was due and several new artists were on the verge of debuting new albums. In retrospect, 2014 delivered on its promise but not for all the reasons I thought.

image058-250x250 Citrus-sun-albumIncognito did release Amplified Soul (Shanachie) in May. It was the strong and consistent album I knew it would be. The first (pleasant) surprise of the year came before that in March with the release of People of Tomorrow (Dome Records) by Citrus Sun, an instrumental project led by Incognito leader Jean-Paul Bluey Maunick.

Screen Shot 2014-06-02 at 11.05.25 PM dim_division_3More new music kept coming from sources that were not typically in my musical wheelhouse. Of these, I’d say Mark de Clive Lowe’s Church (Ropeadope, 2014) was the sweetest find. Miguel Migs’ Dim Division (Soul Heaven Records, 2014) comes a close second.

On the downside, two highly anticipated albums were lacklustre in my regard. Zara McFarlane’s If You Knew Her (Brownswood, 2014) and Jose James’ While You Were Sleeping (Blue Note, 2014) had moments of strength but I wasn’t able to connect with the albums on the whole, unlike previous releases from these artists.

Finally, 2014 had its disappointments, mostly because of what it didn’t bring:

  • I’m still eagerly awaiting KING’s full length album. A single release was all they could muster this year but their website indicates the album, We Are KING Music is set to drop (no telling when).
  • Ady Suleiman was a singular talent brought to light by Gilles Peterson in 2012/13. Although he continues to record and share tracks via social media, it’s not clear if an album is in the works. His SoundCloud page is definitely worth a listen.
  • The buzz on Q-Tip’s new project, The Last Zulu, rose and then faded. It’s not clear how real this album is or when it will finally drop.

Favourite Albums:

  1. Mark de Clive Lowe, Church
  2. Lion Babe, Lion Babe EP
  3. Incognito, Amplified Soul
  4. Miguel Migs, Dim Division
  5. Citrus Sun, People of Tomorrow
  6. Sonzeira, Brasil Bam Bam Bam
  7. Lone, Reality Testing
  8. Michael Jackson, XScape
  9. D’Angelo and the Vanguard, Black Messiah
  10. Bobby Hutcherson, Enjoy the View

Tracks

  • Blum “You’ll always be in my heart (Omega Edit)” – Heard on Jason Palma’s excellent radio program, Higher Ground (ciut.fm, Thursdays 8pm ET). Amazing re-work of a Sarah Vaughan track.
  • Lion Babe, “Jump High feat. Childish Gambino”- One of four outstanding tracks on the self-titled EP released in December.
  • KING, “Mr. Chamaeleon” – A single track from this talented trio is better than no new music but fans continue to pine for a full album.

New to Me: Rediscovered

Untitled-3.inddMarvin Gaye & the Mizell Brothers 

Two tracks from recording sessions that until recently were hidden away in Motown’s vaults are perhaps the best recorded music to be released in the last decade. Combining Mizell production with Gaye’s easy-going vocals is nothing short of alchemy. It’s too bad this partnership wasn’t allowed to flourish under the Motown Records leadership of the day. “Woman of the World” and “Where Are We Going” are must-haves for soul and jazz afficianados.

stevie-wonder-songs-in-the-key-of-live-2014-tour-600x400Songs in the Key of Life

This classic Stevie Wonder album had gone unnoticed by me until this year. Smash hits aside, the album is a strong end-to-end opus and was perfectly featured in Wonder’s recent live tour. I was fortunate enough to catch him in Toronto in November. This album is now firmly on my desert island list.

Notable Passings

  • Idris Muhammad – A drummer with remarkable range, from work with Ahmad Jamal, Pharoah Sanders, and even Ernie Ranglin
  • Charlie Haden – Contrabassist with jazz credentials ranging from John Coltrane to Keith Jarrett and Ornette Coleman
  • Bobby Womack – One of the most recognizable voices in soul music. He had been enjoying a resurgence of sorts recently with the release of The Bravest Man in the Universe (XL Recordings, 2012)
  • Ronny Jordan – A particularly poignant loss for me because Jordan was one of the first artists I discovered who bridged jazz, funk, and hip-hop. This musical space has dominated my listening for the better part of two decades and Jordan’s guitar jazz hold’s a special place for this reason.
ronny-jordan

Ronny Jordan (1962-2014)

 

Album Review: The Internet, Feel Good (Odd Future, 2013)

the_internet_feel_goodIn the ever-changing milieu of genres and sub-genres, a hybrid of electronic, soul, R&B, and Jazz is generating a formidable wave of great music. Music classifers (whomever they may be) are using “Neo Soul” or “R&B/Soul” or just plain “Electronic” to describe this trend. I won’t enter the fray so pick whatever label you want. No matter what you call it, this music is worth exploring and will probably resonate with anyone who likes R&B, soul, and soulful electronic/house music.

My latest discovery in this genre, is Feel Good, the second album from The Internet, a band that formed in 2011 with members of Odd Future. Not unlike other bands I associate with this sound (e.g. Submotion Orchestra, Lulu James, Quadron, and the incredible KING), The Internet delivers a mix of smooth R&B underpinned by lush and layered production.

Feel Good has more than a few tracks that blend R&B, breezy vocals, and rich arrangements. That in itself would make this a solid album. But it goes further because of The Internet’s use of dissonance in several tracks, not unlike Thundercat’s 2011 brilliant release, The Golden Age of Apocalypse (Brainfeeder). Slightly off beats, jarring but not misplaced sounds, and disruptive chords accent several tracks. Touches like these give the music greater staying power. “The Patience,” for example, features a plodding fretless bass trying to keep up with synth melodies. The timing is dangerously close to being off the beat but holds close enough to keep in time. “Wanders of the Mind,” featuring Mac Miller is another track that plays with timing, this time with Miller’s unusual but effective vocal phrasing,

More varied than their contemporaries in the many genres they touch, The Internet has produced an album that will also remain fresh for longer.

Album Review: Black Radio, Robert Glasper Experiment, 2012

Robert Glasper is a jazz pianist who, with this outing, experiments with the fusion of jazz, hip-hop, and R&B. The experimentation in itself is not groundbreaking but the outcome is brilliant. Artists like Guru and Q-Tip have played in this space for some time but the freshness that Glasper brings is grounded in his piano accompaniments and tastefully chosen collaborations.

If rain were able to play the piano, it would sound like Robert Glasper. His style is unique, his fingers falling in succession on the keys, playing melodies in arpeggio. Listen to “Downtime” from his previous release, Double Booked, for a nice showcase of his style.

It’s that style that subtly forms a latticework of piano sounds around the vastly different and joyful tracks on Black Radio. Even before hearing the album, I was giddy to see this list of collaborators: Erykah Badu, Chrisette Michelle, Bilal, Mos Def, KING, and Ledisi all in one place!

The tracks themselves offer a range of style and even genre that keeps the record fresh on every listen. “Afro Blue” is classic Badu. “Move Love,” with KING, is a sublime groove rightfully featuring the beautiful vocals of that US-based trio. Perhaps the surprise of the lot is “Cherish the Day” a cover of a Sade song performed by Glasper and Lalah Hathaway. As a discerning Sade fan, I was skeptical. But this version retains the sparseness of Sade’s original while enhancing it tastefully with Hathaway’s take on the vocals and Glasper’s arrangement.

The one disappointment is the title track, which has moments of niceness but struggles to find a comfortable pairing of Mos Def’s rapping style with Glasper’s accompaniment. The final track, a lengthy cover of Nirvana’s “Smells Like Teen Spirit” is also hit and miss. Nirvana’s charms never resonated with me personally so this final criticism may more be my own bias then a comment on the track. It is admittedly an original take where Glasper pulls off an extended use of a vocoder. For this, he gets points for channelling Herbie Hancock.

Overall, this is a precious collection of well thought-through collaborations, original musicianship, and great melodies. It is substantial, which for a fusion project, is saying something.

(at press, this album is pending release on Feb 28, 2012)

Single Review: The Story, KING, 2011

The three tracks on this single release pack more musical talent and freshness than most full albums. KING has created a sound that has the soul of Jill Scott and Erykah Badu and the sonic innovations of some of the better electronic music out there. A full length album is eagerly anticipated and will likely rock the underground charts when it hits the street.