Album Review: Focus, Shaun Martin (Ropeadope, July 2018)

I liked Shaun Martin the instant I heard his first chord. His debut 7 Summers album (Ropeadope, 2015) is still one of my favourite piano jazz recordings. Martin has a majestic compositional and musical style. There’s something sweeping and “American” about his sound – a hint of Aaron Copeland.

In Focus, Martin delivers jazz piano in a more conventional trio framework while retaining his knack for rhythm and pleasing chords. This record, more than his last, oozes patience and evokes the touch of a pianist like Ahmad Jamal. To wit, Martin’s version of “Body and Soul” is as classical a rendering of that standard as one can imagine. “Festina Lente” is more grand, bridging contemporary and smooth jazz. “Ms Genell” is an easy-going and bluesy number, named for his grandmother.

Martin writes on his bandcamp page, “this album reminds me to focus on the purity of the instruments and the authenticity of music.” With Focus, he’s achieved thisĀ for himself and for the listener.

 

The Players: Shaun Martin (piano), Jamil Byrom (drums), AJ Brown (double bass); On “Focus,” Keith Taylor (bass), Robert ‘Sput’ Searight (drums)

Advertisements