Archives for posts with tag: Flying Lotus

Album Reviews:

CASE STUDY 01, Daniel Caesar (Golden Child Recordings, June 2019)

Love’s Last Chance, Taylor McFerrin (FromHereEntertainment, August 2019)

 

 

 

 

These two albums took a hold of me recently. Daniel Caesar’s CASE STUDY 01 is a powerful album, rich with well-crafted songs, minimalist production, and Caesar’s distinctive vocal performance. Taylor McFerrin’s Love’s Last Chance is a marvel of songwriting, sprinkled with electronic production that evokes the work of Flying Lotus a.k.a Steven Ellison. Ellison’s Brainfeeder label put out Mcferrin’s debut album, Early Riser (Brainfeeder, 2014) so the influence is happily expected.

Both are sophomore albums and both are from young male R&B vocalists who have distinguished themselves stylistically with their production choices. A Yin and Yang if you will, of modern urban music: Caesar with an acoustic sensibility, McFerrin an electronic one, both uncompromising in their songwriting.

McFerrin’s “Now that you need me” features multiple synth sounds, beats, and vocal effects that electrify the vibe while the melody and soul of the song keep it grounded. Caesar’s “Too deep to turn back” is simultaneously an acoustic sing-along, a sullen ballad, and just plain beautiful. These two tracks are the most striking examples of what characterizes each album but there is of course, a spectrum within each.

I think that’s why these albums appealed to me as a pair, rather than individually. They swirl around together, not quite dissolving into one another but playing off their differences, elevating each other.

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2018 Year in Review

This past year was particularly bountiful with new music. So many albums and singles resonated with me and they ran the gamut across jazz, R&B, hip-hop, and genre-blurring styles. It was also the year I crossed off a bucket list concert, finally seeing Herbie Hancock Live in Toronto.

Album of the year for me was The Return by Kamaal Williams. It is still fresh after so many listens and will remain in high rotation for years to come. A close runner-up was Shaun Martin’s Focus. Both albums, although quite different stylistically, are grounded in improvisational jazz and boast enduring compositions.

Some of my favourite albums also came from artists I only discovered this year: Tom Misch, Masego, and Australian jazz ensemble, Menagerie.

Albums

  1. Kamaal Williams, The Return (Black Focus)
  2. Shaun Martin, Focus (Ropeadope)
  3. Detroit Swindle, High Life (Heist Recordings)
  4. Tom Misch, Geography (Beyond the Groove)
  5. Phil France, Circles (Gondwana)
  6. Mac Miller, Swimming (Warner Bros.)
  7. Menagerie, Menagerie (Freestyle Records)
  8. Nightmares on Wax, Shape the Future (Warp Records)
  9. Ady Suleiman, Memories (Simco Ltd.)
  10. The Expansions, Murmuration (Albert’s Favorites Ltd)
  11. Masego, Lady Lady (EQT Recordings)
  12. Reel People, Retroflection (Reel People Music
  13. Brandon Coleman, Resistance (Brainfeeder)
  14. Fatima, And Yet It’s All Love (Eglo Records)
  15. Thomas Dybdahl, All These Things (1MicAdventure)

My pick for song of the year was Mac Miller’s “What’s the Use” featuring Thundercat. Thundercat featured heavily in many of my favourite songs this year, namely on collaborations with Flying Lotus and Louis Cole.

Special mention to Chaka Khan for the flyest video in decades for “Like Sugar.”

Thundercat & Mac Miller; Image Credit: NPR Tiny Desk Concert (August 2018)

Songs (Listen to this playlist on Spotify)

  1. What’s the Use, Mac Miller, Swimming (Warner Bros.)
  2. Trouble on Central, Buddy, Harlon & Alondra (RCA)
  3. Tried (single), Badbadnotgood & Little Dragon (Badbadnotgood Ltd.)
  4. Like Sugar (single), Chaka Khan (Diary Records / Island Records)
  5. Tadow feat. FKJ, Masego, Lady Lady (EQT Recordings)
  6. King of the Hill feat. Badbadnotgood & Flying Lotus, Thundercat, Brainfeeder X (Brainfeeder)
  7. Dancing to a Love Song (single), Barry & Gibbs (Sakura Music)
  8. Flight 22, Kali Uchis, Isolation (Rinse / Virgin EMI)
  9. Old Castles, Paul Weller, True Meanings (Solid Bond Productions / Warner)
  10. Cheers feat. Q-Tip, Anderson .Paak, Oxnard (12 Tone Music)
  11. Thinking About Your Love feat. Omar, Reel People, Retroflection (Reel People Music)
  12. Love 4 Love (Joey Negro Extended Remix), Change, Love 4 Love (Nova 017)
  13. Testify, Kamasi Washington, Heaven and Earth (Young Turks)
  14. Everything feat. John Legend, Ella Mai, Ella Mai (10 Summers / Interscope)
  15. Summertime Magic (single), Childish Gambino (mcDJ Recording / RCA)
  16. State of Mine feat. Philippe Saisse, Nile Rodgers & Chic, It’s About Time (Virgin EMI)
  17. When You’re Ugly, Louis Cole, Time (Brainfeeder)
  18. Lost & Found, Jorja Smith, Lost & Found (FAMM)
  19. Wait, Sabrina Claudio, About Time (SC Entertainment)
  20. Secretly, Onra, Nobody Has to Know (All City Records)

New to Me

Ryo Fukui, Scenery (Trio Records, 1976)

Ryo Fukui was a self-taught pianist who released this album in 1976 to great critical acclaim in his native Japan. Remarkably, Fukui had only started learning the piano 6 years before this album’s release. The ten minute track at the album’s heart, “Early Summer” is rich, complex, and moving, but most of all, it just swings. I have to thank Toronto DJ Jason Palma for introducing me to this album on his radio program, Higher Ground.

I also became re-enamoured with the late great George Duke, in particular, this performance of “It’s On” at the Java Jazz Festival in 2010. Duke has long been a favourite of mine but I hadn’t seen this performance until recently.

Passings

Legends like Aretha Franklin and Hugh Masekela left us in 2018. I was lucky enough to see them both live in years past. Their stage presence was larger than life. One of the most moving videos I watched this year was this tribute by Chaka Khan at Franklin’s Funeral.

 

Hugh Masekela; Image Source: YouTube, Hugh Masekela Live in Berlin (2014)

Other passings that were particularly sad were Mac Miller at the young age of 26 and Roy Hargrove, who was such an innovator in the crossover of jazz, R&B, and hip-hop.

Anticipating in 2019

Speaking of Chaka Khan, there is apparently a new album in the works although no sign of a release date. If “Like Suger” is any indication, it will be worth the wait. Khan’s last studio release was more than 10 years ago.

I’m still eagerly awaiting a sophomore release from Jarrod Lawson and, perchance, a new album from my favourite musical group, Incognito.