Archives for posts with tag: Detroit

Concert Review: Incognito, Detroit Opera House, April 4 2015

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Jean-Paul ‘Bluey’ Maunick, on stage with Incognito at the Detroit Opera House (April 4, 2015)

I’ve been listening to Incognito’s recorded music for about 25 years and they consistently qualify as my favourite band, my favourite music, and the best group creating new music today. Seeing them live has always been a dream of sorts. For this year’s tour, egged on by my sister, I finally made it happen. We saw Incognito’s short but quality set on a triple bill at the Detroit Opera House on April 4, 2015.

Incognito had a one hour set in between two other well-known ensembles from the smooth jazz realm: Hiroshima and fOURPLAY. Both acts demonstrated strong songwriting, musicianship, and a love for performance. fOURPLAY, in particular, was a pleasure to watch for a couple of reasons. First, they are talented musicians who play together with the cohesion you would expect from a band with their longevity. Second, because two living legends were on stage in leader and pianist Bob James and drummer Harvey Mason. Chuck Loeb on guitar and Nathan East on bass guitar were virtuosos of equal calibre.

But this post is really about Incognito.

One of the most remarkable things about their performance was the setlist itself. Staying in tune with the smooth jazz tone of the evening, Incognito chose to weight their selections with older material, mostly from 1992’s Tribes, Vibes, & Scribes (Phonogram) and 1994’s Positivity (UMG Recordings). With such a short set, they squeezed only one track from their most recent album, Amplified Soul (Shanachi, 2014). Paying respects to Detroit’s musical pedigree, they included a cover of Stevie Wonder’s As, sung with relish by Tony Momrelle.

Incognito Playlist (from memory)

  1. L’Arc En Ciel De Miles
  2. I See the Sun
  3. Roots (Back to a Way of Life)
  4. I Love What You Do For Me
  5. Still a Friend of Mine
  6. Colibri
  7. Deep Waters
  8. As
  9. Everyday

Maysa joined the band for “I Love What You Do for Me” and subsequent songs. She brought her magic to the songs she originally recorded with the band, including free-wheeling scatting on “Colibri” with the incredible range she is known for.

With precious little time, some of the songs were played at a slightly higher tempo than their recorded versions. This kept things moving and jammed more great music into the set.

After the show, we were fortunate enough to meet leader Jean-Paul ‘Bluey’ Maunick, vocalist Tony Momrelle, and sound engineer Chris Lewis. Bluey was gracious with his time and sincerely thankful for our patronage through the years. It was a warm meeting and one I’ll cherish because of how much Incognito’s music has meant to me through the decades.

 

The Players: Jean-Paul ‘Bluey’ Maunick (guitar); Matt Cooper (keyboards); Maysa Leak (vocals); Tony Momrelle (vocals); Vanessa Haynes (vocals); Katie Leone (vocals); Francis Hylton (bass); Sid Gauld (trumpet); Jamie Anderson (sax/flute); Trevor Mires (trombone); Francesco Mendolia (drums); João Caetano (percussion)

 

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Album Review: ManMade, Zo! (The Foreign Exchange Music, 2013)

manmadeWhen I stumble upon an artist like Zo! I’m amazed at how dangerously easy it is to be completely unaware of great music around us. Despite following R&B/Soul trends since the dawn of ‘urban music’ back in the early days of D’Angelo and Erykah Badu, I only just discovered this great talent from Detroit who has been recording and producing music for more than a decade.

Lorenzo “Zo!” Ferguson’s back catalog sounds like “a study in smooth.” His melodies, arrangements, beats, and production are innovative and reveal a deep talent. Going back to his 2006 release, Freelance (Chapter 3hree Verse 5ive Music) a track like “Detroit Districts Pts. I & II” demonstrates an easiness with jazz improvisation, an adeptness with R&B and Soul sensibilities, and a tastefulness that steers the music clear of gimmicky, so called Nu Jazz.

With his latest release, ManMade (The Foreign Exchange Music, 2013), Zo! continues to deliver quality tracks with a fresh take on soulful R&B. His lead track, “The Train” featuring Sy Smith is a breezy melody remeniscent of Corinne Bailey Rae. “Count to Five” featuring Gwen Bunn is another great melody but also distinct in how it plays with two-step rhythms. Tracks like “Making Time” and “Out in the World” use innovative basslines and electronically influenced arrangements.

In this sense, Zo!’s work resembles but does not mimic, his fellow Detroiter, Amp Fiddler, who I most recently posted about. This shouldn’t come as a surprise given a musical pedigree that includes Motown Records, the birth of techno, and J Dilla. Zo! and Amp Fiddler are creating some of the finest urban music of the day, proving that an embattled Detroit still has much to offer.