Archives for posts with tag: Crackazat

2017 Year in Review

I’m declaring 2017 the year of the West Coast Get Down. The West Coast Get Down is a collective of jazz musicians who feature prominently in my favourite music of the past year. Kamasi Washington, Terrace Martin, and Trevor Lawrence Jr., to name a few, delivered great jazz albums this year, each distinct in style but all revealing a deep musicality among all the players. To wit, Martin and Lawrence are currently touring as Herbie Hancock’s band, along with bassist James Genus. And my musical highlight of the year was seeing Kamasi Washington live in Toronto.

Honourable mention goes to a strong Canadian presence in some of the best R&B and electronically influenced soul from the past year. Musicians in Drake’s orbit like Majid Jordan and dvsn released some of my favourite songs of the year. Mary J. Blige’s collaboration with Montreal producer Kaytranada and Toronto based Badbadnotgood was another favourite.

 

Top of the album list for me is A Million Things by Rohey. Their debut delivers an amazing range of jazz, soul, and R&B but keeps it together in a well put-together album.

 

Albums

  1. RoheyA Million Things (Rohey)
  2. Kamasi WashingtonHarmony of Difference (Young Turks)
  3. Terrace Martin presents The PollyseedsSounds of Crenshaw, Vol. 1 (Ropeadope)
  4. Omar, Love in Beats (Do Right!)
  5. Thievery Corporation, The Temple of I & I (ESL)
  6. Trevor Lawrence Jr.Relationships (Ropeadope)
  7. Goldie, The Journey Man (Metalheadz)
  8. Moonchild, Voyager (Tru Thoughts)
  9. Farnell NewtonBack to Earth (Posi-Tone)

Song of the year for me goes to “Truth” by Kamasi Washington with a close runner up being it’s namesake on Goldie’s album, performed by Jose James. That track, although first penned by Goldie for David Bowie, is reborn with James on vocal – his best performance in years, in my opinion.

Songs

  1. Truth, Kamasi WashingtonHarmony of Difference (Young Turks)
  2. Truth, Goldie feat. Jose JamesThe Journey Man (Metalheadz)
  3. Heavy, RAC feat. Karl KlingEgo (Counter)
  4. Welcome Speech, CrackazatRainbow Fantasia (Local Talk)
  5. Telling the Truth, Mary J. Blige feat. Kaytranada and BadbadnotgoodStrength of a Woman (Capitol)
  6. My Imagination, Majid Jordan feat. dvsnThe Space Between (Ovo Sound)
  7. Can’t Wait, dvsnMorning After (Ovo Sound)
  8. Minute, No Way Back feat. Sophia Black (Enhanced Music)
  9. Come and be a Winner, Sharon Jones & The Dap-KingsSoul of a Woman (Daptone)
  10. iRise, Chantae Cann feat. Snarky PuppySol Empowered (Ropeadope)
  11. Get it Together, Drake feat. Black Coffee and Jorja Smith, More Life (Young Money)
  12. On My Mind (Acoustic) – single, Jorja Smith feat. Preditah (FAMM Limited)
  13. Way Back, TLC feat. Snoop Dogg, TLC (852 Musiq)
  14. Better Late Than Never, Waajeed, Shango EP (Dirt Tech Reck)
  15. Show You the Way, ThundercatDrunk (Brainfeeder)

New to Me

In my annual quest to discover older music, I found many gems but the most lasting from this year’s search is multi-instrumental reedist, Yusef Lateef. Lateef’s style is distinctly mellow but also inimitably cool. I’ve had his Eastern Sounds (Concord, 1961) and The Blue Yusef Lateef (Atlantic, 1968) albums on high rotation for most of the year.

Yusef Lateef

Most Anticipated in 2018

Three artists teased us with minor releases over the past couple of years and are overdue for full length albums in 2018.

  • Charlotte Day Wilson – An amazingly soulful vocal talent from Toronto released a brilliant debut EP CDW, in 2016. A new single, “Doubt,” was just released and bodes well for what’s to come.
  • Jarrod Lawson – His self-titled debut (2014) was one of the most solid solo male R&B records in a long while, mostly because of how pure it was in songwriting and vocal performance. His sophomore album is eagerly anticipated and I hope the wait will be over in 2018.
  • Ady Suleiman, Memories – Having released multiple singles and EPs over the last couple of years, Suleiman’s debut full-length album is set to drop in March. The first single, “I Remember,” throws the same high wattage of soul and reggae influenced vocals as his body of work to date.

Passings

This year, we lost some of my favourite vocalists and musical stylists in Al Jarreau, Leon Ware, and Frankie Paul. It was also sad to hear of jazz guitarist Chuck Loeb’s passing at the age of 61. Finally, Gord Downie, a national cultural treasure in Canada passed away in October, followed by a flurry of tributes from coast to coast to coast.

Al Jarreau performing live in Los Angeles
1977 © 1978 Bobby Holland

 

Album Review: Crackazat, Rainbow Fantasia (Local Talk Records, 2017)

I came to know of Crackazat (a.k.a. Sweden-based producer and multi-instrumentalist Ben Jacobs) because of “What You’re Feeling,” a single released on Joey Negro’s Z Records label last year. It had a driving old school house vibe, kind of like Inner City and also reminded me of Lone’s excellent 2014 album, Reality Testing (R&S Records).

Jacob’s new album, Rainbow Fantasia, is more synth-centric than the Z Records single and, being a full length record, offers a range of mood and sound. On most cuts, Jacobs serves up synth melodies, vocalizations and driving dance rhythms.

On constant repeat for me since I discovered this album is the opening track, “Welcome Speech.” It has multiple hooks and showcases the most freewheeling keyboard work on the record. The opening vocal sample evokes ‘a timid emcee at a meagrely attended yoga gathering’ and gives the track kitsch, which makes it all the more addictive.

Among the uptempo tracks like “Sundial” and the title track, Jacobs includes some variety in the trance-like vibe of “The Only One” and the vocals on “Holding You Close.”

I have to admit, the magic of electronic music fades a little as I learn more about the tools that make it easier and easier to produce. This tutorial in particular, by Incognito collaborator and celebrated producer, Ski Oakenfull, is very revealing for a non-musician like me. Oakenfull is a highly talented keyboardist in his own right and this video was produced as a demonstration of the technology, rather than a glimpse into his creative process. Still, the technology makes one wonder if some producers will favour it over musicianship.

With this peak behind the curtain, it is tempting to judge Crackazat as machine music without soul. But that is ultimately up to the listener. For me, Jacobs brings the melody, the beats, and perhaps most distinctively, a dose of fun to Rainbow Fantasia.

 

Related Listening:

I Can See the Future” – Incognito, No Time Like the Future (Mercury Records, 1999): One of my many favourite Incognito tracks, featuring Ski Oakenfull on drum programming and keyboards