Archives for posts with tag: Badbadnotgood

2016 Year in Review

This year was tiring. Civil society began unravelling in America and Europe. War and mass forced migration broke our hearts. The relentless tedium of the US election cycle consumed and played back thousands of hours of nauseating clickbait. In the world of music, we lost, among others, Prince, Bowie, and Maurice White…living legends no more. Thankfully, music gave a little back – precious respite in a woeful year.

Favourite Albums

king2

Album of the year for me was We are King, from a trio I have gushed about for the past 5 years. A close runner up is the fantastic instrumental soul debut by The Olympians from Daptone Records.

 

  1. King, We Are King
  2. The Olympians, The Olympians
  3. Kaytranada, 99.9%
  4. Lion Babe, Begin
  5. Terrace Martin, Velvet Portraits
  6. A Tribe Called Quest, We got it from here…Thank you 4 your service
  7. Incognito, In Search of Better Days
  8. Yussef Kamaal, Black Focus

Favourite Tracks

  1. “Dang!” Mac Miller feat. Anderson .Paak
  2. “In your eyes” Badbadnotgood feat. Charlotte Day Wilson
  3. “Little Dreamer” Lion Babe
  4. “I Want it to Be” Omar
  5. “Honey” Katy B & Kaytranada
  6. “The Space Program” A Tribe Called Quest
  7. “Precious Love” Lee Fields & The Expressions
  8. “Rain” Common feat. John Legend
  9. “Lifeguard Tower #22” The Gaslamp Killer feat. Miguel-Atwood Ferguson
  10. “Revolution Radio” Green Day
  11. “Better Days” Incognito feat. Vula Malinga
  12. “24K Magic” Bruno Mars
  13. “Think twice” Takuya Kuroda feat. Antibalas
  14. “Snowman” R. Kelly

New to Me (Rediscovered)

lewis

Ramsey Lewis Quartet, Koerner Hall, Toronto, June 30, 2016

In my annual quest to discover musical greatness that was previously unknown to me, the passing of Maurice White prompted much listening to his body of work, including this wonderfully definitive podcast tribute by veteren U.K. DJ Patrick Forge. Thus, I was introduced to Ramsey Lewis, the talented jazz pianist who hired White as his drummer in 1966.

As luck would have it, Mr. Lewis graced the Toronto Jazz Festival this year and I was able to catch a masterclass performance.

 

Passings

maurice

Maurice White (1941-2016)

We lost some living legends this past year. David Bowie and Prince need no further explanation. For me, losing Maurice White, founding member and master-arranger of Earth, Wind, and Fire was particularly sad. Other notable passings were hit-maker Rod Temperton who penned some of the greatest pop records in our musical consciousness, jazz vibraphonist Bobby Hutcherson, and Daptone Records soul diva, Sharon Jones.

Album Review: 99.9%, Kaytranada (HW&W Recordings, May 2016)

kaytraKaytranada (a.k.a. Louis Kevin Celestin) has made a splash that continues to ripple through some of today’s most sought after music. The Montreal-based producer, DJ, and musician released his debut full-length album earlier this year and has already won praise from peers and the industry alike.

99.9% is a fifteen track gift, laden with beats, melodies, and vocal collaborations that set it apart from purely instrumental and ambient electronic music. In fact, the ‘electronic’ label hardly suits this work. It is too artfully crafted and curated to be associated with programmed machine music.

Featuring a ‘just-right’ mix of R&B, electronic, and hip-hop tracks, the album has staying power. A slow jam like “Got it Good” featuring vocalist Craig David is complemented by the deep house of “Leave me Alone” featuring Shay Lia. More innovative and offbeat tracks like “Lite Spots” and “Bullets” featuring Little Dragon place Kaytranada on the vanguard and explain why he’s been so successful attracting acclaimed collaborators like Anderson .Paak.

One of the marks of a great album is its ability to attract your ear to different tracks at different times. When I first bought this record, “One too Many” featuring Phonte was on endless repeat. Now, after some distance and listening with fresh ears, “Weight Off” featuring BADBADNOTGOOD is irresistable. The two tracks are vastly different but maintain a coolness that Kaytranada seems to breathe into his music.

Related Listening

  • This Kaytranada remix of Janet Jackson’s ‘If’ is outstanding and never tires
  • British pop singer Katy B collaborated with Kaytranada on the beautiful title track of her Honey album. It also appears to be loosely re-imagined on 99.9% as the track, “Vivid Dreams” featuring River Tiber
  • The last ‘electronic’ album review I raved about was Miguel Migs’ Dim Division (Soul Heaven Records, 2014). A tip of the hat to an electronic music elder seemed apt since since Migs is 20-years senior to Mr. Celestin.

Music Review: Recent discoveries with the Rhodes sound

Butterfly, Azymuth (Far Out Recordings, 2008)

BBNG, Badbadnotgood (independent, 2011)

  257

I’ve always been drawn to the sound of a Rhodes electric piano in the right hands. Herbie Hancock and George Duke are the masters. Jamiroquai and D’Angelo are notable disciples.

The warm and easy sounds have sprung up again for me in two recent discoveries. One is relatively fresh, only a few months since they came on the scene. And the other is a trio of living legends that has been making great music with the Rhodes sound for over 30 years.

Azymuth is the latter. This trio from Brazil has had an admirable consistency of style over the decades. It’s not to say they’ve been stagnant. Indeed, their recordings from the 70s, 80s, and 90s have a distinct flavour that is both apt for the era but also timeless. The best part about Azymuth is the musicianship. They are talented improvisors, songwriters, players, and producers. Their music is pure, simple, and utterly listenable.

Butterfly, their 2008 release, is a perfect showcase of their talent. From the downtempo “Morning” to the upbeat sound of “Os Cara La” and “Triagem,” this album is all good. Azymuth are described as ‘Brazilian’ by genre but  I would call them jazz-funk. Although bossa and samba rhythms are common and they record most vocals in Portuguese, the overall sound is decidedly jazz with funk instrumentation.

After discovering their music just recently and immersing myself in their many recordings, I’m easily convinced that Azymuth keyboardist, Jose Roberto Bertrami, is one of the world’s greatest virtuosos on the Rhodes.

In contrast to the prolific history of Azymuth, Badbadnotgood have only recently appeared on the scene. They are a Toronto-based trio, formed, it seems, in the image of Azymuth. With a keyboardist, bassist, and drummer, BBNG is about tight rhythmic lines with warm and easy keyboards overtop. They also have a streak of hip-hop, which sets them apart from both traditional jazz-funk outfits and pure hip-hop artists. Listen to “Hard in the Paint” from their live album, BBNG Live 1. It’s hard-edge opening sets up a dark and driving groove for the rest of the track. They wisely left the Rhodes idle for this track, which is better served by pounding the low octaves on an acoustic piano.

Their self-titled debut was released in September 2011. “The World is Yours” features some impressive keyboard improvisation by Matthew Tavares as well as the tight hip-hop beats marshalled by Alex Sowinski. “Fall in Love” starts sparsely with the unaccompanied keyboard tones and crescendos into a rich improvised interplay of all three players.

BBNG’s first record comes almost 36 years after Azymuth’s debut. In fact, I’d wager the members of BBNG weren’t even born until Azymuth was about a dozen albums deep into their career. Still, the resemblence is remarkable. I don’t know whether to be more impressed by the young talent on BBNG for successfully taking up the torch from masters like Bertrami or by Azymuth themselves for remaining fresh after all these years.

Regardless, both finds have enriched my jazz/funk collection and given me hours of material to enjoy with the Rhodes sound. Azymuth released another album in 2011, entitled Aurora. It is also a strong album but not as consistent as Butterfly. “E mulher” is a particularly nice track from Aurora.