Album Review: High Life, Detroit Swindle (Heist Recordings, June 2018)


Detroit Swindle is an electronic music duo comprised of Dutch producers Lars Dales and Maarten Smeets. Their last LP, Boxed Out (Dirt Crew Recordings, 2014) was one of my favourites from that year in any genre, particularly because of the uplifting closing track, “You, Me, Here, Now,” a re-edit of The Floaters’ “Float On” (ABC, 1977).

I always hold a little more anticipation for full-length albums from producers like these who are prolific in releasing singles but not so in long play recordings. The wait is usually worth it and High Life rises to the occasion.

Dales and Smeets have a knack for creating great dance music but also for creating tracks you can listen to more deeply because of how rich they are in melody, rhythm, and arrangement. The title track is a perfect example: 7 minutes of entrancing synth and beats but with a compositional variation not often found in straight-ahead house tracks.

The duo’s collaboration with singer/songwriter Tom Misch, “Yes, No, Maybe” is a standout hit. “Ketama Gold” and “The Girl from Shiraz” are soulful instrumentals, the latter adeptly using the synthesizer to create an immersive mood piece sans a drum track.

High Life is proof that electronic, dance, and house music can be nuanced, dynamic, and interesting to listen to. You might say Dales and Smeets possess a jazz sensibility. I really like the album cover too – it looks like a jazz record. Just saying.

Further Listening:

My favourite track from their last LP, Boxed Out

And the original, by The Floaters

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