Album Review: The Return, Kamaal Williams (Black Focus, 2018)

Kamaal Williams (a.k.a. Henry Wu) and half of Yussef Kamaal just dropped a killer jazz album withThe Return.

I’ve been listening to this record repeatedly for 2 weeks Now that it has soaked in, I can honestly say it is one of the most pure jazz albums in recent years. Williams’ keyboard, Joshua McKenzie’s drums, and Pete Martin’s bass produce an immersive soundscape, evoking mood and movement.

The album’s purity is oddly tied to how casual it appears to be. The tracks are easy-going, simply constructed, but at the same time, positively gripping.

There are strong influences of Herbie Hancock and other 70’s synth funk pioneers but Williams also injects a dose of contemporary electronic, ambient, and broken beat.

The Return is a complement to the Yussef Kamaal Black Focus (Brownswood, 2016) project Williams did with drummer Yussef Dayes. Although the two records have a similar style, The Return is more sparse in its arrangements, with nary a guitar or horn. In that sense too, it is pure: a beguiling crucible of keys, drums, and bass.

Related:

Yussef Kamaal’s brilliant performance in the Brownswood Basement, Dec 29, 2016

 

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