Archives for the month of: April, 2015

Album Review: This is my EP, Ady Suleiman (Sony Music, April 2015)

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I’ve been waiting for this since 2013. That’s when I first heard Ady Suleiman, courtesy of Gilles Peterson’s Worldwide show on BBC6. A simple and sublime acoustic track called “Longing for your Love” instantly qualified as one of those few songs we hear in our lifetime that we can honestly say is perfectly crafted and performed.

Suleiman’s sound has evolved since his early acoustic demos. Higher production values and more diverse instrumentation give his music a new fullness. Thankfully, he hasn’t let it eclipse his greatest strength, which is his songwriting.

This is My EP is Suleiman’s recording debut. Its four tracks achieve the tricky task of giving us plenty of original music to enjoy while leaving us wanting more. The EP’s song selections showcase Suleiman’s promise. “State of Mind” is the only overtly reggae-influenced tune in the set, marking a departure of sorts from his earlier work and vocal stylings, which are strongly influenced by reggae.

“Need Somebody to Love” and “Out of Luck” are more lush, charging ably into the realm of R&B/pop ballads. The opening track, “So Lost,” deserves to be a straight up R&B hit. In particular, it’s evidence that Suleiman’s mastery of sublimely simple melody extends to his use of beats (D’Angelo anyone?).

Eighteen months ago, when I first heard “Longing for your Love,” I marvelled at its perfect melody, arrangement, and a vocal performance. I also felt great anticipation for what would come next from this artist. Suleiman’s SoundCloud page easily has an album’s worth of stellar songwriting. One can only hope he mines that material and keeps writing new songs to produce a full length album soon.

In the meantime, This is my EP is here. And it’s perfect.

 

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Concert Review: Incognito, Detroit Opera House, April 4 2015

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Jean-Paul ‘Bluey’ Maunick, on stage with Incognito at the Detroit Opera House (April 4, 2015)

I’ve been listening to Incognito’s recorded music for about 25 years and they consistently qualify as my favourite band, my favourite music, and the best group creating new music today. Seeing them live has always been a dream of sorts. For this year’s tour, egged on by my sister, I finally made it happen. We saw Incognito’s short but quality set on a triple bill at the Detroit Opera House on April 4, 2015.

Incognito had a one hour set in between two other well-known ensembles from the smooth jazz realm: Hiroshima and fOURPLAY. Both acts demonstrated strong songwriting, musicianship, and a love for performance. fOURPLAY, in particular, was a pleasure to watch for a couple of reasons. First, they are talented musicians who play together with the cohesion you would expect from a band with their longevity. Second, because two living legends were on stage in leader and pianist Bob James and drummer Harvey Mason. Chuck Loeb on guitar and Nathan East on bass guitar were virtuosos of equal calibre.

But this post is really about Incognito.

One of the most remarkable things about their performance was the setlist itself. Staying in tune with the smooth jazz tone of the evening, Incognito chose to weight their selections with older material, mostly from 1992’s Tribes, Vibes, & Scribes (Phonogram) and 1994’s Positivity (UMG Recordings). With such a short set, they squeezed only one track from their most recent album, Amplified Soul (Shanachi, 2014). Paying respects to Detroit’s musical pedigree, they included a cover of Stevie Wonder’s As, sung with relish by Tony Momrelle.

Incognito Playlist (from memory)

  1. L’Arc En Ciel De Miles
  2. I See the Sun
  3. Roots (Back to a Way of Life)
  4. I Love What You Do For Me
  5. Still a Friend of Mine
  6. Colibri
  7. Deep Waters
  8. As
  9. Everyday

Maysa joined the band for “I Love What You Do for Me” and subsequent songs. She brought her magic to the songs she originally recorded with the band, including free-wheeling scatting on “Colibri” with the incredible range she is known for.

With precious little time, some of the songs were played at a slightly higher tempo than their recorded versions. This kept things moving and jammed more great music into the set.

After the show, we were fortunate enough to meet leader Jean-Paul ‘Bluey’ Maunick, vocalist Tony Momrelle, and sound engineer Chris Lewis. Bluey was gracious with his time and sincerely thankful for our patronage through the years. It was a warm meeting and one I’ll cherish because of how much Incognito’s music has meant to me through the decades.

 

The Players: Jean-Paul ‘Bluey’ Maunick (guitar); Matt Cooper (keyboards); Maysa Leak (vocals); Tony Momrelle (vocals); Vanessa Haynes (vocals); Katie Leone (vocals); Francis Hylton (bass); Sid Gauld (trumpet); Jamie Anderson (sax/flute); Trevor Mires (trombone); Francesco Mendolia (drums); João Caetano (percussion)