Archives for the month of: December, 2014

Album Review: Black Messiah, D’Angelo and the Vanguard (RCA Records, 2014)

dangelo-black-messiahWhen D’Angelo’s Voodoo (Virgin Records) was released in 2000, it caused waves that resonated for years to come. Voodoo was highly anticipated because of the breakthrough success of his debut album, Brown Sugar (Virgin Records, 1995). D’Angelo had established a new lushness in the R&B space and was in the vanguard, alongside Erykah Badu and Maxwell, of what would be coined as “neo soul.”

Voodoo’s appeal was twofold. First, it was quite different from the smooth jazziness of Brown Sugar. Second, it was unapologetically sparse, raw, and rude.

Nearly a decade-and-a-half later, D’Angelo returns with Black Messiah, an album as innovative as Voodoo but also echoing its rawness. “The Door” features a simple beat and minimalistic production, including old time guitar sounds and, yes, whistling. Similarly, “Sugah Daddy” uses simple piano phrasing and clapping to lay down an addictive rhythm for D’Angelo to decorate with his ad lib.

The album also offers some more conventional soul tracks – “Another Life” and “Till It’s Done (Tutu).” D’Angelo’s vocal treatment render these a little more interesting than straight ahead soul revival.

Black Messiah has a third gear. Tracks like “Really Love” with flamenco influenced guitar and “The Charade,” which sounds more like a hit Prince track, show another side of D’Angelo, continuing to round out his sound, almost 20 years since he broke through.

Even in these early days of its release, it’s not a stretch to say that Black Messiah will have a lasting impact.  Inexplicably credited to D’Angelo and the Vanguard, one wonders who “the Vanguard” is. But it is perhaps an apt description of the musical space D’Angelo has occupied. What derivatives will follow this music from the vanguard? History proves, all we have to do is wait and see.

Related:

Takuya Kuroda, Rising Son – A recent Blue Note release heavily influenced by the beats and horn treatment on Voodoo

Jose James, It’s All Over Your Body – The opening track to James’ excellent debut on Blue Note, No Beginning, No End. Sonically, it is a faithful ode to Voodoo’s sound.

2014 in Review: New, New to Me, and Those We Lost

A year ago, I was rife with anticipation for the music 2014 would bring. A new Incognito album was due and several new artists were on the verge of debuting new albums. In retrospect, 2014 delivered on its promise but not for all the reasons I thought.

image058-250x250 Citrus-sun-albumIncognito did release Amplified Soul (Shanachie) in May. It was the strong and consistent album I knew it would be. The first (pleasant) surprise of the year came before that in March with the release of People of Tomorrow (Dome Records) by Citrus Sun, an instrumental project led by Incognito leader Jean-Paul Bluey Maunick.

Screen Shot 2014-06-02 at 11.05.25 PM dim_division_3More new music kept coming from sources that were not typically in my musical wheelhouse. Of these, I’d say Mark de Clive Lowe’s Church (Ropeadope, 2014) was the sweetest find. Miguel Migs’ Dim Division (Soul Heaven Records, 2014) comes a close second.

On the downside, two highly anticipated albums were lacklustre in my regard. Zara McFarlane’s If You Knew Her (Brownswood, 2014) and Jose James’ While You Were Sleeping (Blue Note, 2014) had moments of strength but I wasn’t able to connect with the albums on the whole, unlike previous releases from these artists.

Finally, 2014 had its disappointments, mostly because of what it didn’t bring:

  • I’m still eagerly awaiting KING’s full length album. A single release was all they could muster this year but their website indicates the album, We Are KING Music is set to drop (no telling when).
  • Ady Suleiman was a singular talent brought to light by Gilles Peterson in 2012/13. Although he continues to record and share tracks via social media, it’s not clear if an album is in the works. His SoundCloud page is definitely worth a listen.
  • The buzz on Q-Tip’s new project, The Last Zulu, rose and then faded. It’s not clear how real this album is or when it will finally drop.

Favourite Albums:

  1. Mark de Clive Lowe, Church
  2. Lion Babe, Lion Babe EP
  3. Incognito, Amplified Soul
  4. Miguel Migs, Dim Division
  5. Citrus Sun, People of Tomorrow
  6. Sonzeira, Brasil Bam Bam Bam
  7. Lone, Reality Testing
  8. Michael Jackson, XScape
  9. D’Angelo and the Vanguard, Black Messiah
  10. Bobby Hutcherson, Enjoy the View

Tracks

  • Blum “You’ll always be in my heart (Omega Edit)” – Heard on Jason Palma’s excellent radio program, Higher Ground (ciut.fm, Thursdays 8pm ET). Amazing re-work of a Sarah Vaughan track.
  • Lion Babe, “Jump High feat. Childish Gambino”- One of four outstanding tracks on the self-titled EP released in December.
  • KING, “Mr. Chamaeleon” – A single track from this talented trio is better than no new music but fans continue to pine for a full album.

New to Me: Rediscovered

Untitled-3.inddMarvin Gaye & the Mizell Brothers 

Two tracks from recording sessions that until recently were hidden away in Motown’s vaults are perhaps the best recorded music to be released in the last decade. Combining Mizell production with Gaye’s easy-going vocals is nothing short of alchemy. It’s too bad this partnership wasn’t allowed to flourish under the Motown Records leadership of the day. “Woman of the World” and “Where Are We Going” are must-haves for soul and jazz afficianados.

stevie-wonder-songs-in-the-key-of-live-2014-tour-600x400Songs in the Key of Life

This classic Stevie Wonder album had gone unnoticed by me until this year. Smash hits aside, the album is a strong end-to-end opus and was perfectly featured in Wonder’s recent live tour. I was fortunate enough to catch him in Toronto in November. This album is now firmly on my desert island list.

Notable Passings

  • Idris Muhammad – A drummer with remarkable range, from work with Ahmad Jamal, Pharoah Sanders, and even Ernie Ranglin
  • Charlie Haden – Contrabassist with jazz credentials ranging from John Coltrane to Keith Jarrett and Ornette Coleman
  • Bobby Womack – One of the most recognizable voices in soul music. He had been enjoying a resurgence of sorts recently with the release of The Bravest Man in the Universe (XL Recordings, 2012)
  • Ronny Jordan – A particularly poignant loss for me because Jordan was one of the first artists I discovered who bridged jazz, funk, and hip-hop. This musical space has dominated my listening for the better part of two decades and Jordan’s guitar jazz hold’s a special place for this reason.
ronny-jordan

Ronny Jordan (1962-2014)