Album Review: Amplified Soul, Incognito (Shanachie Entertainment, 2014)

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I have to be careful when I choose to write about Incognito because they’ve been my favourite band for over two decades and I’m of the mind they can do no wrong. I’m afraid that’s not about to change. Amplified Soul is Incognito’s 16th Studio album. It follows their 2012 release, Surreal (Shanachie Entertainment).

In the two year gap, co-founder and leader Jean-Paul ‘Bluey’ Maunick has been busy – releasing his solo debut, Leap of Faith (Shanachie, 2013) and an instrumental project with Citrus Sun, People of Tomorrow (Dome Records, 2014). You might think Maunick needed some time to refuel his songwriting engine. Listening to Amplified Soul, you quickly realize this man’s music never ebbs.

With this album, Incognito welcomes back Tony Momrelle as their lead male vocalist, having sat out for Surreal. Vanessa Haynes returns as a featured female vocalist, among others including soul-jazz veteran Carleen Anderson.

Amplified Soul is essential Incognito, with songwriting and musicianship being front and centre. So many tracks are special and like all Incognito studio albums, your favourites move around depending on your mood, where you are in life, and how many times you’ve listened. “Rapture,” featuring long-time collaborator, Imaani, is particularly likeable and has a lasting appeal. The instrumental, “Wind Sorceress” evokes a Donald Byrd and Mizell Brothers quality, much like the Citrus Sun project. “I See the Sun” features addictive vocal phrasing by a new singer with the group, Deborah Bond.

With Amplified Soul, Maunick and his collaborators have given us another packed album that will surely carry us until their next release. Thankfully, the last two years suggest we won’t have too long a wait for Maunick’s next musical burst.

 

 

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