Archives for the month of: January, 2014

Album Review: The Internet, Feel Good (Odd Future, 2013)

the_internet_feel_goodIn the ever-changing milieu of genres and sub-genres, a hybrid of electronic, soul, R&B, and Jazz is generating a formidable wave of great music. Music classifers (whomever they may be) are using “Neo Soul” or “R&B/Soul” or just plain “Electronic” to describe this trend. I won’t enter the fray so pick whatever label you want. No matter what you call it, this music is worth exploring and will probably resonate with anyone who likes R&B, soul, and soulful electronic/house music.

My latest discovery in this genre, is Feel Good, the second album from The Internet, a band that formed in 2011 with members of Odd Future. Not unlike other bands I associate with this sound (e.g. Submotion Orchestra, Lulu James, Quadron, and the incredible KING), The Internet delivers a mix of smooth R&B underpinned by lush and layered production.

Feel Good has more than a few tracks that blend R&B, breezy vocals, and rich arrangements. That in itself would make this a solid album. But it goes further because of The Internet’s use of dissonance in several tracks, not unlike Thundercat’s 2011 brilliant release, The Golden Age of Apocalypse (Brainfeeder). Slightly off beats, jarring but not misplaced sounds, and disruptive chords accent several tracks. Touches like these give the music greater staying power. “The Patience,” for example, features a plodding fretless bass trying to keep up with synth melodies. The timing is dangerously close to being off the beat but holds close enough to keep in time. “Wanders of the Mind,” featuring Mac Miller is another track that plays with timing, this time with Miller’s unusual but effective vocal phrasing,

More varied than their contemporaries in the many genres they touch, The Internet has produced an album that will also remain fresh for longer.

Album Review: RC & The Gritz, Pay Your Tab (Rexamillion Productions, November 2013)

payyourtabalbum-300px1RC & The Gritz is a Dallas TX based collective of R&B and Hip Hop musicians that is most famous for backing Erykah Badu from time to time. The band’s leader, RC Williams, is said to be Badu’s current musical director.

What drew me to this album was the cut featuring Badu on vocals, “Leave Me Alone,” which will surely and quickly climb numerous urban radio charts. It’s an instant classic in Badu’s repertoire and a track I had on repeat for a good dozen listens.

However, a marquee guest vocalist isn’t what makes this group’s recording debut, Pay Your Tab (Rexamillion, 2013) a record worth picking up. On the contrary, what gives this album staying power are the other tracks that showcase the substantial songwriting and musical talent of RC & The Gritz.

Pay Your Tab’s 11 tracks are solid, each in their own way. There are finger-snapping R&B cuts like “Summer Boo,” “Hush,” and “Melodies.” There is the darkly edgy hip-hop opener “C7#9,” a reggae track, “Love Love Love,” and even a cross-over pop-ready tune featuring Snoop Dogg and Raheem DeVaughn, “That Kinda Girl.”

It’s especially encouraging to me to see groups like this break out because the market for new music seems to be skewed to pop and a particularly shallow form of hip-hop. RC & The Gritz occupies a much smarter and musically advanced niche between R&B, Jazz, and Hip-Hop that is woefully underrepresented in today’s music. Kudos to Badu and the other backers of this project for giving this music a chance to spread and flourish.

The Players: RC “Rceeezy” Williams, keyboards/Vocals; Cleon Edwards, Drums; TaRon Lockett, percussion; Braylon “Brother B” Lacy, bass; Claudia Melton, vocals; and Jah Born, MPC (drum machine)